Blue Note today announced the next series of affordable Classic Vinyl 180g, all-analog reissues mastered by Kevin Gray using the original master tapes plated and pressed at Optimal in Germany. The records come in standard packaging to keep the costs down. Blue Note president Don Was and Cem Kurosman curate.
Grammy award winning Yarlung Records out of Los Angeles California has been releasing classical music albums on CD, LP, and R2R tape since as far back as 2006, but they had somehow managed to escape my radar. Better late than never, as they possess all the ingredients necessary to delight readers of this website; including a dedication to minimalist analog recording techniques, and the curation of the finest up-and-coming classical talent working today. This label is run by people (primarily producer and engineer Bob Attiyeh) who care deeply about classical music, and are connected to first rate performers, particularly those who orbit the many concert halls of the greater Los Angeles area. In addition to running a record label, Yarlung also has an associated nonprofit called Yarlung Artists which focuses on getting promising new artists started on their touring career.
The ‘60s fostered a music-driven cultural revolution nobody anticipated. From John Coltrane’s Giant Steps to The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, history’s most iconic albums saw artists leaving timeless and influential musical blueprints. However, calling the ‘60s “influential” shows only a limited understanding; rivalries were fierce, and competition defined the decade. Neither The Beach Boys nor Brian Wilson could escape the competitive climate.
Radiohead has re-released two of its most experimental and critically acclaimed albums,
Kid A and Amnesiac remastered at half speed from the original digital files for phenomenal fidelity, in a set that includes another record of previously unreleased material from those sessions. The transfer conveys a slightly new listening experience for fans, and unique aspects are brought out in the music, making it feel like listening to an old friend for the first time.
Candid Records, founded in 1960 with Nat Hentoff as A&R director produced a catalog of great jazz and blues releases that also featured superb sound. A label relaunch was announced last week with 5 exceptionally fine titles leading the way, mastered by Bernie Grundman. The press release didn't specify if BG mastered from tape or from hi-res files so before posting this I asked the publicist to clarify.
When SME purchased Garrard it also bought the Loricraft brand of "string type" record cleaning machines. SME then upgraded both models. This video shows how they work and accompany a write-up in the April 2022 issue of Stereophile magazine that will shortly be available on newsstands, mailed to subscribers and available as part of a digital subscription.
Register to win one of three Carlos Santana Blessings and Miracles Vinyl Editions (value $34.98 each), or a limited edition Carlos Santana hand signed Blessings & Miracles PRS SE Doublecut Electric Guitar (value: $2,995/priceless) we are giving away.
"Santana delivers one of the most ambitious, inspired, and magical records of his storied career. There are genre-bending, hook-filled celebrations featuring Rob Thomas, Chris Stapleton, G-Eazy, American Authors and Ally Brooke, and thrilling feats of bravura musicianship that pair the guitar master with fellow icons like Chick Corea and Steve Winwood, and knockout rockers with Metallica's Kirk Hammett and Living Colour's Corey Glover, among others."
"Featuring the artwork from the 2021 Blessings and Miracles release, this Santana Student Edition PRS electric guitar is a must have for any collector. This is a very limited run of these guitars and is hand signed by Carlos Santana."
Following 5 years of R&D Franc Kuzma today introduced his latest creation, the SAFIR 9 tonearm. The conical arm tube is fabricated from sapphire— "the first implementation of the precious stone" for this application.
The recent Zenith angle error story gave readers a choice of two files, one that corrected the zenith angle error built into the cantilever because the stylus was inserted "off" by about 4 degrees and the other set up using the cantilever to set stylus groove tangency and so adding 4 degrees of error at the "null" point where tangency error should be 0.
The responses were interesting: at first participants chose "File 1" as the one with the zenith angle correction but later commenters chose "File #2". File #1 is the one that's corrected to compensate for the 4 degree error.
Following a snooze-inducing headlining performance (based on the recording) at the 2000 Glastonbury Festival, David Bowie and his band (guitarist Earl Slick, bassist Gail Ann Dorsey, pianist Mike Garson, drummer Sterling Campbell, and musician/producer Mark Plati) entered New York’s Sear Sound to re-record his early, mostly pre-Space Oddity catalog highlights. Bowie intended the quickly recorded result, Toy, as a surprise release, though in 2001 the financially struggling Virgin/EMI balked at the idea and eventually rejected the album altogether. For the following year’s Heathen, Bowie signed to Columbia and left uncertain Toy’s future. Leaked in 2011 and recently officially released by his estate and Parlophone, Toy now has its proper place in his studio discography. Yet, is it worthy of its legendary—and in some circles, almost mythical—status?