LATEST ADDITIONS

When Chet Baker died in 1988, he wasn’t an icon of “cool,” he was a has-been. The biopic with the Hollywood star and the consistent ranking among the top-selling jazz CDs on Amazon was far in the future and long after he was gone. The New York Times obit was perfunctory, misstated his age, and devoted two sentences to his career post-1950s. Baker, in the 1980s, had been the same unrepentant, narco-ssistic junkie mess that he had been since the mid 1950s, but he was working in Europe, playing mostly small clubs, driving from gig to gig, and sleeping on couches instead of the way it had been in the ’50s in the U.S.—playing concert tours, fielding movie offers, topping the jazz polls and charts, his popularity making even Miles Davis jealous.

“Steven Wilson has a new solo album, "The Future Bites." We discuss this as well as his work with Porcupine Tree but even if you're not a fan of his music, even if you've never heard of him, you need to listen to hear Wilson's stories of remixing King Crimson, Jethro Tull, Chic….”

To quarantine means to isolate for the safety of others. What it does not entail, is the ineptitude to collaborate, as shown by Tank and The Bangas with their newest EP, Friend Goals.

Impulse! Records, founded in 1960 by Creed Taylor and home to some of the greatest jazz artists of all time including John Coltrane, Charles Mingus, Archie Shepp, Alice Coltrane, Pharoah Sanders and Quincy Jones, among many others, this year celebrates its 60th anniversary.