The late Rick Griffin's mischievous rodent cover art isn't the only retro aspect of this prog-rock/jazz fusion recording debut by a group that's been together for more than a decade. (Griffin is best known for his Grateful Dead work including the Aoxomoxoa cover).
Recording engineer Mike Valentine produced and recorded an old-fashioned audiophile demo disc using 50 year old Neumann tube microphones and a high resolution Nagra digital recorder all connected together with ZenSati cables from Denmark. One track was recorded using a 1/2" Studer analog deck running at 30 IPS.
I reviewed Dynamic Sound Associate's $12,000 solid-state phono preamp in Stereophile's "Analog Corner" October, 2013. It was a "Class A" product all the way other than a few "burps".
Reite Audio is a relatively new company created by electronics designer Bob Reite and musician Ed Sheftel. Sheftel first imported to America and distributed the Welsh-made Tom Evans Audio Design line of electronics. One of its products, The Groove phono preamp had, at the turn of the century, what could fairly be described as a “cult following”.
Ernst Benz founder of moving coil cartridge manufacturer Benz Micro passed away on July 5th, 2014 in his Neuhausen-am-Rheinfall, Switzerland home at age 82, surrounded by his family.
Thanks to all who downloaded and listened to the same track played using 8 different mats. That's a great deal of heavy lifting, hopefully made somewhat lighter by Mike Valentine's excellent Decca tree recording of a nimble performance of Vivaldi's "Concerto For 2 Mandolins". I hope you downloaded and enjoyed the "gift" track too.
Analogplanet.com readers requested we post the "rebook" version of the Vivaldi Mandolin piece so there's a reference at the same sampling and bit rate as the "needle drops".
This is hardly a scientific comparison, but I spent a few days comparing, in order of price, the Audioquest carbon fiber brush ($24.99), the AcousTech The Big Record Brush ($36.95) ($52.95 with grounding wire) and the Levin Design ($335 appx.).
Eschewing both retro and modern musical gestures, the remarkable young jazz singer Cécile McLorin Salvant manages here to make new and fresh an album of mostly very old songs.