Gary Wilson inhabits a musical and cultural space somewhere between Donald Fagan, Son of Sam and Frank Zappa. The cult favorite is a creature of the night who obsesses about girls and his hometown of Endicott, NY just outside of Binghamton. He should live in a basement apartment if in fact he doesn’t.
Analogue Productions' The Nat King Cole Story box set, originally scheduled to be released Spring of 2010 is finally here. We reviewed the box's sound quality last March based on test pressings but the actual box didn't arrive under early 2011. What's below is that review with additional information about the box and overall presentation quality—Ed.
More than enough has been written about this album for me to attempt to add anything of value to the mix. It's the best selling jazz album ever and continues to sell the way Pink Floyd's Dark Side of the Moon does in the rock world.
Long lost and once thought destroyed, Sundazed Records’ tape- sleuth-in-chief Bob Irwin recently located the original mono master tape of The Mama’s and the Papas 1966 debut album If You Can Believe Your Eyes and Ears (Dunhill D50006).
Neil plays, Daniel "La-noise" manipulates. The result is a solo album—a man and his guitar— that takes on gargantuan proportions as it throbs, undulates, oozes, howls, flows, rattles and hums through a series of reminiscences, philosophical discussions, entreaties and proclamations of faith that only an older man could possibly produce and deliver with such rich and fervent authority.
Bootlegs, outtakes and unreleased material mostly interests completists, scholars and obsessive fans. Usually, the quality and significance declines with each new archival release, but not with Bob Dylan.
ORG Music is a new division of ORG, the label that's been reissuing mostly classic jazz titles over the past few years along with the heart of Nirvana's catalog. ORG Music will specialize in classic rock reissues, with an enhanced, extra track edition of this Tom Petty breakthrough album coming first.
It's easy to understand why some youngsters don't get Dylan. Everybody sings like him now but no one did back then and at first only a few could take the unadorned voice (referencing the Dylan on these old recordings, not the current croaker).