The classic Phil Spector Christmas album is Sundazed’s holiday gift to us all. Mastered in glorious mono from the original mono master tape (while Phil didn’t do stereo the late Larry Levine, Gold Star Studio's premier engineer produced a very good stereo mix in the early 1970's).
The Blue Note reissue explosion continues with these attractively packaged XRCD24s from Audio Wave. We’ve got two current purveyors of Blue Notes: Music Matters and Analogue Productions, each having gained access to different catalog titles.
Perhaps had the dulcet-toned baritone Johnny Hartman lived beyond sixty (he passed away from lung cancer in 1983) he might have experienced a resurgence similar to Tony Bennett’s—not that Hartman was ever as popular as Bennett.
If you go for Waits’s “Louis Armstrong meets Screamin’ Jay Hawkins meets Captain Beefheart” blues/jazzbo thing, obtaining it live or recorded live is probably as pure as it gets and arguably the best way to consume an artist energized by the crowd’s adulation and an adept touring backup band capable of creating thick, churning atmospherics.
Fifty four year old Thelonious Monk was considered “washed up” by many when this European session was recorded in 1971. He’d ended his association with Columbia Records and while he made some good records for the most commerical label with which he’d be associated, he’d not written much new material during that period.
Here’s one you don’t often see in the bins. Mary Wells auditioned for Berry Gordy when she was 16 and not long afterward had a monster, world-wide hit with “My Guy” back in 1964. It hit #5 in England and The Beatles asked her to tour with them.
Back in “the day,” budget labels like Seraphim (Angel), Cardinal (Vanguard) Victrola (RCA) and Odyssey (Columbia) usually released old recordings at low prices. Many of these were great performances from either mono recordings (sometimes foolishly "reprocessed for stereo") or transferred from 78rpm parts.
Spoon’s latest is an introspective affair that trades the group’s usual tuneful exuberance for something more contemplative. But don’t be aFreud! It’s got all of the group’s signature moves, from deep, behind the grooves beats to catchy melodies set against vast empty spaces punctuated by exclamatory soundscapes.
You gotta thank Sundazed for digging out and reissuing raw, vital stuff like this and not charging audiophile prices. For one thing, they wouldn’t be able to sell it for $30.00 and it wouldn’t be worth lavishing such care on it anyway. But that doesn’t mean stuff like this is any less worthy.
With the rhythm section of McCoy Tyner, Elvin Jones and Sonny Rollins’ bassist of choice Bob Cranshaw behind him, the long underappreciated Grant Green’s take on Rodgers and Hammerstein’s “My Favorite Things” superficially sounds like a transcript lifted from Coltrane’s 1961 Atlantic album of the same name from a few years earlier. It’s even taken in the same 6/8 time.