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I am an not even remotely aware of the contemporary opera world. Until handed this disc, I was unaware of either 26 Russian-born soprano Anna Netrebko or 35 year old Mexican tenor Rolando Villazón. The foxy-looking Ms. Netrebko has been called “Audrey Hepburn with a voice,” while Mr. Villazón has not.

Talk about throwing it back to the 1980s! These guys channel Manifestoera Roxy, Brit/Industrial (Joy Division) and even Haircut 100 on their latest double LP set (CD included for easy iTunes/iPod loading).

While hard-bop tenor saxophonist Booker Ervin’s best known work was with Charles Mingus and his later Prestige albums are regarded as the hub of his solo recordings, this 1961 Candid set offers plenty of muscular grit, superb Nola Penthouse sound and the stellar backing trio of George Tucker on bass, Al Harewood on drums and one “Felix Krull” on piano, most likely a Nat Hentoff-assigned name given to Horace Parlan who was contracted to Blue Note at the time. In fact, Tucker and Harewood were part of Parlan’s quartet, as was Ervin for a spell.

Jimi Hendrix’s second studio effort upped the outrageousness of his debut (British or American), beginning with what many would say was a sacrilegious, though eye-catching, cover and continuing with the opening bit of “nonsense about space ships and even space people.”