LATEST ADDITIONS

Michael Fremer  |  Dec 23, 2021  |  9 comments
The term “singer/songwriter” hadn’t yet been coined when the “hotter’n a depot stove” 29 year-old songwriter Willie Nelson stepped into the studio to record his debut album for Liberty Records. Back then, you were either a songwriter or a singer, though of course there were a very few who were both. Here, Nelson proves he was one of them

Malachi Lui  |  Dec 22, 2021  |  9 comments
Despite our best efforts, we unfortunately didn’t review in real time every consequential 2021 release; thankfully, there’s still time to catch up on important missed albums, EPs, and singles. Our two 2021 Catch-Up Explosions (of which this is the first) differ somewhat from typical Review Explosions: some of these reviews are shorter than usual, and this time we won’t include sound quality scores (though rest assured, those will remain a site fixture). We won’t be able to cover every worthwhile 2021 release, though it’s possible to provide a reasonably comprehensive roundup of the year in music. The reviews are listed alphabetically, not by merit. Let’s begin!

Nathan Zeller  |  Dec 22, 2021  |  8 comments
“Imagine building or improving your home stereo system in a way that makes your music come alive—like the performers are right in front of you—even on a budget. It’s easier than you think.” - PS Audio

Malachi Lui  |  Dec 19, 2021  |  3 comments
(Vinyl Reports is an AnalogPlanet feature aiming to create a definitive guide to vinyl LPs. Here, we talk about sound quality, LP packaging, music, and the overarching vinyl experience, this time in a shorter format than usual.)

Joseph W. Washek  |  Dec 18, 2021  |  14 comments
If you’re a musician making albums and you’re not a major pop/rock star or you don’t own your own label, the money you make comes with strings attached. To some, they may be invisible—"Hey, that’s what you do to sell records. Right?” To Horace Tapscott, the strings were all too visible and entangling. He wasn’t going to be a puppet dancing for the record companies and the whole system of which they were part.

Malachi Lui  |  Dec 13, 2021  |  9 comments
Uniquely deviating from the overplayed standard holiday music fare, Yen Records’ We Wish You A Merry Christmas is a Christmas LP actually worth your time, energy, and money. With exclusive material from Haruomi Hosono, Yukihiro Takahashi, Miharu Koshi, Taeko Ohnuki, Moonriders, and others, it creatively rounds up the YMO orbit in a cohesive holiday listen.

Malachi Lui,  |  Dec 12, 2021  |  17 comments
Finding gifts for record lovers can prove difficult: the hobby is uniquely personal, often expensive, and comes with the fear of what your gift recipient does and doesn’t already own. As the holidays rapidly approach, we’ve compiled a list of recommended budget turntables, phono preamps, record accessories, LPs, and books. These products are independently selected, and we’ve personally experienced every listed item (or a very similar previous iteration) listed.
Michael Fremer  |  Dec 10, 2021  |  2 comments
This Village Vanguard Inside Straight set was recorded December 2014 a week before bassist McBride recorded with his trio another Village Vanguard engagement that became his Mack Avenue debut album.

Malachi Lui  |  Dec 07, 2021  |  14 comments
Primal Scream’s Screamadelica, released in September 1991, captured late 80s/early 90s UK rave culture’s peak. Unlike that era’s other UK “guitar bands” making dance music, Primal Scream was a Rolling Stones-esque rock band that—with the help of producers including Andrew Weatherall, The Orb, Terry Farley, and Hypnotone as well as singer Denise Johnson—drew from acid house in a seamless transition towards the current time. While it now sounds a bit dated, it remains a well-produced, relevant piece of rock history whose energy transcends any stylistic setbacks.

Michael Fremer  |  Dec 07, 2021  |  12 comments
Coming January 28th: a 6 LP all-analog 180g "Tone Poet"vinyl box set containing all six 1960s Blue Note Ornette Coleman albums including his five as a leader (the two volume At The 'Golden Circle' Stockholm (1965), The Empty Foxhole (1966), New York Is Now! (1968), and Love Call (1968)—as well as Coleman's lone sideman appearances on saxophonist Jackie McLean's New And Old Gospel (1967).

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