LATEST ADDITIONS

Michael Fremer  |  Apr 01, 2007  |  0 comments

Bop clarinetist Tony Scott (born Anthony Joseph Sciacca in Morristown, NJ), who plays on this Sarah Vaughan album as part of an octet that includes Miles Davis (then 24), passed away the day before this was written, on the last day of March, 2007. An obit I read says that the eclectic Mr. Scott also arranged “The Banana Boat Song (Day-O)” for Harry Belafonte. As I write this sentence, his velvety clarinet sings prettily behind Vaughan at the end of “It Might As Well Be Spring.”

Michael Fremer  |  Apr 01, 2007  |  2 comments

After collapsing on stage three years ago and nearly dying of complications brought on by Hepatitis C, Austin, Texas based rock and roller Alejandro Escovedo returns with a deeply moving John Cale produced album that reclaims his past musical ferocity, while moving the 55 year old survivor forward into sensitive new musical and lyrical territory.

Michael Fremer  |  Mar 18, 2007  |  First Published: Dec 31, 1969  |  1 comments
Back in 2000, when Lyra introduced the Helikon moving-coil cartridge, which replaced the then six-year-old Clavis D.C., the company inexplicably retained the Clavis D.C.'s retail price of $2000. This was inexplicable because the Helikon's revolutionary design was new from the ground up, and because audiophiles—like most, if not all, consumers—perceive price to be a reflection of quality and performance.
Michael Fremer  |  Feb 01, 2007  |  0 comments

Krauss and company’s tuneful, crossover bluegrass-pop may not be pure enough for the dogmatic, but for the rest of us, the smooth-to-the-touch instrumentals and lilting, lockstep harmonies bring mountain-sense and countrified order to a chaotic world however far into the pop arena the group occasionally strays.

Michael Fremer  |  Feb 01, 2007  |  0 comments

For my money, the greatest YES album, musically and sonically was 1971’s The Yes Album (Atlantic SD 8283), recorded Autumn of 1970, and if you can find an original, thick “1841 Broadway” pressing, get one. An audiophile-quality reissue generated from the master tape would be nice, but unfortunately, Rhino took it upon itself to reissue it recently in their first, undistinguished entry into vinyl, and it wasn’t very good.

Michael Fremer  |  Feb 01, 2007  |  1 comments

The British minimalist art/punk band Wire’s first three spare, angular albums, originally issued in 1977, 8 and 9 weren’t big sellers then and unfortunately the chances are they won’t be this time either, though I sure hope they do well enough to encourage 4 Men With Beards and other labels to reissue adventurous and worthwhile, if not the most popular music.

Michael Fremer  |  Feb 01, 2007  |  0 comments

Based on this uneven, less than memorable effort by Jean-Benoit Dunckel (who calls himself Darkel here), the whole is greater than the sum of the parts of the French minimalist electronica duo known as Air. With his partner Nicolas Godin, Mr. Dunckel produces some of the most arresting, three -dimensional, self contained electronic and acoustic soundscapes you’re likely to experience.

Michael Fremer  |  Feb 01, 2007  |  0 comments

Recorded and released during one of the most tumultuous and disturbing periods in contemporary American history, Emergency Ward! is a grand, exasperated plea for peace and understanding by one of the great soul/jazz voices of the 20th century.

Michael Fremer  |  Feb 01, 2007  |  0 comments

A straight-ahead, often fast-paced blowing session led by Plas Johnson, a versatile alto and tenor saxophonist who’s been heard by tens of millions, but known by very few. The theme from the “Pink Panther” includes Johnson’s most famous sax lines, but he’s played sessions for Frank, Peggy, Nat, Ella, Sarah, Ray, you first-name them.

Michael Fremer  |  Feb 01, 2007  |  0 comments

Decemberist leader Colin Meloy has crafted a charming, hour long folk/ rock opera based on an ancient Japanese fable dealing with greed, loyalty and betrayal. A poor man finds a wounded crane, which he rescues and returns to good health. Shortly after releasing it back to the wild, a mysterious woman arrives at his home. The two fall in love and get married. To make ends meet, she agrees to weave silk garments to sell at the local market. Her only condition for doing the work is that he never watches her doing it.

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