Note: After this the posting of this review, Sundazed's Bob Irwin sent a correction. I've chose to leave the original review intact, prefaced by Irwin's comment:
You can bet this blistering, groundbreaking jazz-rock fusion album from 1971 spun Jeff Beck’s head around big time, turning him from heavy metalist-rocker (his version of The Yardbirds’ “Shape of the Things to Come” on the Jeff Beck Group’s album Truth is arguably the first “heavy metal” rock arrangement) to the jazz-fusionist he became on Blow By Blow. Others followed too, of course.
Elvis Costello “borrowed” the cover of this album for his Almost Blue (F-Beat XXLP13) but there the resemblance ends, not only between Costello’s countrified Nashville tribute and this one, but between this one and the usual Blue Note fare.
The difference between brilliance and cocktail lounge music is measured out in tiny gestures audible as finger dance moves around a predictable melody.
Looking at the sepia toned cover photo, listening to the Civil War era Americana-themed lyrics and unraveling the thick, dark, tuba-tinged instrumental atmospherics, you might easily imagine the recording venue to have been a log cabin in the woods.
Sure, being a shy, self-conscious kid from a rural western town trying to come to terms with life in the big city who constantly yearns for the reciprocity of love to come to fruition, may make it all very easy to cast Jon- Rae Fletcher as the consummate underdog. He even looks the part- tall and sinewy in stature, with a disheveled mane, a goofy grin, and big, thick glasses that may have been popular in the 1950�s; Jon Rae practically begs you to root for him.
A throwback to the �60�s British folk scene that produced The Incredible String Band, Fairport Convention, Pentangle, Shirley and Dolly Collins and dozens of others, Scottish folksinger Alasdair Roberts brings a spare purity to his original folk balladry.
If you�re not yet familiar with him, Matisyahu is a 28-year-old white, Chassidic Jewish reggae-rapper/rocker from West Chester, Pennsylvania. Now read that over a few more times, do you have a mental picture yet? He dons the traditional dress of The Hasidic Jews, wears a long beard and sounds a bit like �Jr. Gong� Marley. In addition he�s a self proclaimed former-Deadhead, loves Phish and is an adept beat boxer. Now that I�ve got you scratching your head wondering if I�m making this all up, it would be a good time to add that he�s also a talented songwriter, and his album, Youth is quite the unique musical experience.
The late Arthur Alexander�s story is reminiscent of Roy Orbison�s. Like Orbison, Alexander passed away on his way to a resurrected career, though Orbison got to see his rebound while Alexander didn�t. He�d quit the music business and was driving a bus whenElektra A&R exec Danny Khan saw Alexander perform in 1991 at New York's Bottom Line in one of the clubs famous "A bunch of song writers sitting around singing" shows and convinced him to go back into the studio.