I got into it in the discussion section of a ridiculous Rolling Stone story. Why did I waste my time doing so? Because this is hand-to-hand combat folks! Get your hands dirty!
You could produce a jazz record today using ProTools at 192/24 or lower resolution, create a CD master, have it manufactured and then release it. To get in on the “vinyl resurgence”, you could use that 16 bit/44.1k master to cut lacquers and press records at a commercial pressing plant. It’s done all too often, I’m sure.
Mario Aguilar, a Gizmodo blogger with a history degree and little if any meaningful audio listening experience, recently posted a story on that site titled "Don't Buy What Neil Young is Selling" in which he condemns Neil Young and his Pono player.
Workingman's Dead and American Beauty have long been considered to be the two Grateful Dead albums for people who don't think they like the Grateful Dead.
While this much-loved Blue Note lists Adderley as the group leader, this pick-up session—recorded in 1958, just before Kind of Blue—sounds, for the most part, as if Miles Davis is in control and was labeled as an Adderley session due to contractual issues.