Back in 1999 I reviewed in Stereophile the KR Audio VT 8000 monoblock vacuum tube amplifier. I wrote in the review: "Virtually every part in the amplifier is custom-made in-house or sourced from associated facilities, including the metal fabrication, the transformers, and the circuit boards. The internal wiring is Swiss in origin. And, of course, the vacuum transducers themselves are made in-house by hand, and that includes all of the tiny internal components, which are stamped out one at a time by hand on dies custom-machined in-house. Even the glass for the tubes is turned and formed by hand. If I hadn't seen all of this with my own eyes, I wouldn't have believed it."
Phoenix Engineering, manufacturer of the Falcon Digital Turntable PSU and Roadrunner Tachometer today announced the new High Power Eagle PSU designed to work with both VPI's higher powered motor equipped 'tables and those with dual motor/flywheels—as well as with any A.C. synchronous motor of 15 or fewer watts.
Second albums make or break pop artists. If the first one was a smash the second one had also better be or you risk the "one hit wonder" label. That's what happened to Christopher Cross, Marshall Crenshaw and more recently James Blunt, even though Cross and Crenshaw followed up their debuts with many good records—or at least good tunes. They just didn't produce chart hits.
The term "hearing aid" strikes terror into the hearts of audiophiles of all ages. Glasses? OK. But "hearing aid"? No one wants to admit to needing one so that's why you need a set of DUBS Acoustic Filters now.
The Beach Boys reissue project from Analogue Productions has been years in the making. Some of the mono records go on sale this Friday, December 16th. The process from master tape to finished record, packaged, boxed and ready for shipping is shown in a series of videos that make their world debut here on analog planet.
On the analogplanet we greet with great enthusiasm news of a carefully considered reissue project like this, but clearly that’s not the case elsewhere. While poking around the Internet looking for background information I came upon a bizarre and surprising series of comments on, of all places Rolling Stone magazine’s website.
If you already own Sunday at The Village Vanguard and Waltz For Debby you have two album's worth of material from that magical afternoon and evening of June 25, 1961 that the producer Orrin Keepnews deemed worthy of releasing.