This extraordinary document recorded by Young during a two night stand at small club on the University of Michigan campus in Ann Arbor back in November of 1968 is about as intimate and revealing a performance as you’re likely to find in the singer’s catalog.
Look, if your idea of “jazz-rock” fun is David Clayton Thomas’ edition of “Blood Sweat and Tears, I’m not going to try to change your mind, but if you want the real jazz-rock and psych star of that era, you need to hear this ridiculously neglected Spirit album originally issued on Epic in the fall of 1970 that Sundazed has smartly resurrected.
I first spotted Audia Flight's exquisite-looking two-box phono preamplifier ($6100) at last year's Hi-End show in Munich, and now that Musical Sounds is importing Audia Flight gear, a review of the Phono seemed a good idea. I know nothing about Audia Flight or the designer, or what Italian audiophiles think of them, but the more time I spent with the versatile, exquisitely built Phono, the more I liked everything about it.
On his eight or ninth album in little more than a decade, young Chicago native Andrew Bird continues on his smart way, singing, whistling and fiddling bemusedly but sincerely about life’s conditional conditions.
Leonard Cohen, the enduring romantic, recorded his debut album appropriately enough, in the waning days of the “summer of love,” in August of 1967. By then he was in his 30’s and capable of expressing his views of love and intimacy in refreshingly sophisticated and sometimes indelibly bleak terms.
Sergio Mendes’s frothy Brazilian pop reinterpreted for the hip-hop generation serves as the high concept for this 2006 release produced by The Black Eyed Peas’ will.i.am who also performs solo and with a guest list that includes Erykah Badu, Stevie Wonder, Q-Tip, John Legend and Justin Timberlake, among others.
Rare, desirable and expensive when first issued in 1973 as a triple LP set in Japan where it was recorded and available in America only as a hard to get import, Lotus didn’t make it to CD until the earl 1990s.
Careening between sweet Beatlesque pop delivered via three part harmonies and dexterous rhythms and edgy blues-boogie that channels Alex Chilton’s inner Marc Bolan via Memphis country/soul, Big Star’s second album is even more thrilling and satisfying now, 35 after it’s 1974 release. The album hasn’t lost a step.
CSN&Y played and sang live better than ever during this 2006 “Freedom of Speech” tour as you'll hear on this 16 track document, none of which was overdubbed. The only “overdub” was of a 100 voice choir recorded at Capitol studios, Hollywood before the tour that was added to the live shows as well.
The mid-sixties may not have been Monk’s most creative period but it was arguably his strongest and most focused both in the studio and onstage. If any jazz musician was poised to withstand the rock era it was Monk the performer and Monk the composer.