LATEST ADDITIONS

Michael Fremer  |  Apr 01, 2007  |  0 comments

This obscure little 1967 instrumental gem rescued from the dustbins of antiquity by Sundazed featuring guitarist Earl Hooker backed by an anonymous group of musicians including a drummer, bassist, organist, sax player and perhaps a rhythm guitarist, or Hooker’s overdubbing himself, is nothing more than a series of funky jams that show off Hooker’s unique curlicue guitar twanging style.

Michael Fremer  |  Apr 01, 2007  |  0 comments

Riverside issued this Charlie Byrd album in 1960, two years before his collaboration with Stan Getz on the classic Jazz Samba (Verve V6-8432), which has been reissued by both DCC Compact Classics and Speakers Corner (still in print, I believe).

Michael Fremer  |  Apr 01, 2007  |  0 comments

Cynics tired of the RHCP’s act say they’re running on fumes. Yes, well then what accounts for the remarkable success of this album, packed with the band’s usual rap/rock/funk mix? That’s an easy question to answer. It’s reliably hard, funky, powerful, spare and big. It goes down easy but still engages.

 |  Apr 01, 2007  |  0 comments

It’s taken almost forty years for someone to be sufficiently inspired by Van Dyke Park’s epic Song Cycle to attempt an equally grand and ambitious musical undertaking, but with the release last year of this album by 25 year old Bay area harpist/composer Joanna Newsom (San Francisco Mayor Gavin Newsom is a second cousin), the wait has proven worthwhile.

Michael Fremer  |  Apr 01, 2007  |  1 comments

Joni Mitchell’s “road weary,” intensely personal adult confessional, released in 1971, shattered forever what appeared to be her carefully cultivated “hippie chick” image at a time when her star had ridden it to unimaginable heights on an almost vertical trajectory.

Michael Fremer  |  Apr 01, 2007  |  0 comments

Bop clarinetist Tony Scott (born Anthony Joseph Sciacca in Morristown, NJ), who plays on this Sarah Vaughan album as part of an octet that includes Miles Davis (then 24), passed away the day before this was written, on the last day of March, 2007. An obit I read says that the eclectic Mr. Scott also arranged “The Banana Boat Song (Day-O)” for Harry Belafonte. As I write this sentence, his velvety clarinet sings prettily behind Vaughan at the end of “It Might As Well Be Spring.”

Michael Fremer  |  Apr 01, 2007  |  2 comments

After collapsing on stage three years ago and nearly dying of complications brought on by Hepatitis C, Austin, Texas based rock and roller Alejandro Escovedo returns with a deeply moving John Cale produced album that reclaims his past musical ferocity, while moving the 55 year old survivor forward into sensitive new musical and lyrical territory.

Michael Fremer  |  Mar 18, 2007  |  First Published: Dec 31, 1969  |  1 comments
Back in 2000, when Lyra introduced the Helikon moving-coil cartridge, which replaced the then six-year-old Clavis D.C., the company inexplicably retained the Clavis D.C.'s retail price of $2000. This was inexplicable because the Helikon's revolutionary design was new from the ground up, and because audiophiles—like most, if not all, consumers—perceive price to be a reflection of quality and performance.
Michael Fremer  |  Feb 01, 2007  |  0 comments

Krauss and company’s tuneful, crossover bluegrass-pop may not be pure enough for the dogmatic, but for the rest of us, the smooth-to-the-touch instrumentals and lilting, lockstep harmonies bring mountain-sense and countrified order to a chaotic world however far into the pop arena the group occasionally strays.

Michael Fremer  |  Feb 01, 2007  |  0 comments

For my money, the greatest YES album, musically and sonically was 1971’s The Yes Album (Atlantic SD 8283), recorded Autumn of 1970, and if you can find an original, thick “1841 Broadway” pressing, get one. An audiophile-quality reissue generated from the master tape would be nice, but unfortunately, Rhino took it upon itself to reissue it recently in their first, undistinguished entry into vinyl, and it wasn’t very good.

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