AXPONA is in full swing, and we’re all over it. Our full show report with be forthcoming, but something that caught our collective analog eye early on is the Technics SL-1500C-W turntable, which is the matte white version of the company’s well-loved SL-1500C direct-drive turntable. Read on to learn more about the new matte white version of this fine ’table, what it’s SRP will be, and when it’ll become available for obtainment accordingly. . .
The Flaming Lips are one of those bands that have always endeavored to create their own sonic universe, and we almost never know exactly what planet we’ll be on when we drop the needle on their latest vinyl venture and/or most recent archival collection. Case in point — the 180g 5LP baby-pink vinyl box set for July 2002’s Yoshimi Battle the Pink Robots being released (finally!) on April 14, a collection that includes the remastered core album, demos, non-album tracks, live radio sessions, and many other live tracks galore. In a recent Zoom interview with AP editor Mike Mettler, Flaming Lips visionary vocalist Wayne Coyne discusses the ins and outs of the making of the Yoshimi vinyl box set, how the word “realize” became such an integral part of the band’s songwriting, and how a few hundred test tapes fueled the beginning and the end of one of the album’s most enduring songs. Read on to realize all the LP-related Yoshimi details. . .
The Kuzma family of moving coil cartridges is such a fine sight to see. To wit: Meet the Slovenian company’s CAR-30, which dependably revealed the peculiarities and personalities of individual records during the course of our review period. Read on to see Ken Micallef’s expert take on all the Kuzma CAR-30 has to offer, and how well it stacks up with its MC cart competition. . .
We’re often asked by younger/newer AP sitegoers who have budgetary concerns where they can get started in this ever-widening turntable universe of ours, so we like to suggest a number of entry-point options where they can come join the analog party at their pace. All LP-lovin’ comers welcome, after all. With this in mind, today, we’re putting the spotlight on Mitchell Acoustics and their quite affordable uStream TT2 turntable.
Read on to see how the TT2 might fit into your own starter-system plans, and/or those of someone you know. . .
These days, a new Depeche Mode album is cause for celebration, and the band’s just released 180g 2LP set, Memento Mori, is worthy of deep listening and devoted examination. Read Mark Smotroff’s review to see if Memento Mori stands tall with other classic entries in Depeche Mode’s storied vinyl catalog. . .
We’re very much looking forward to all the new analog gear expected to be shown at this year’s AXPONA in Schaumburg, Illinois from April 14-16, and Luxman has already given us an advance taste by letting us know they’ll be introducing their brand-new flagship PD-191A turntable at the big show. Read on to get all the respective specs, features, and stats about this cool, vintage-looking new ’table. . .
Two fascinating and enlightening new, concurrent Frank Zappa live albums come from the spring of 1980, an underexplored period of his career when he toured with a somewhat stripped-down reinvention of his touring group. The 2LP Zappa ’80 Mudd Club set was recorded near the start of the tour on Zappa’s beloved Nagra reel-to-reel analog portable in the storied, tiny New York club, while the 3LP Zappa ’80 Munich release is Frank’s very first all-digital live recording of the same band at the end of the tour, as captured in a huge German arena. Read on to see how Mark Smotroff feels both recordings stack up in the ever-expanding Zappa-on-vinyl catalog. . .
I don’t know about you, but I still quite enjoy seeing tubes on full display when it comes to the design philosophy behind certain types of analog gear. Case in point: the simply tube-ariffic look of Marchand’s LN112 tube phono preamp, which is available in both MM and MC versions. Read on to find out more about Marchand’s fine phono preamp options. . .
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There’s a special intuitive connection certain musicians share that cannot be qualified in technical terms, but can instead be described as being both magical and mysterious. Case in point: the 60-years-and-counting musical mindmeld between lead vocalist Colin Blunstone and keyboardist/vocalist Rod Argent, the twin driving forces behind British invasion stalwarts The Zombies. Still going strong today, The Zombies are on the precipice of the imminent release of their seventh studio album, Different Game, which comes out in fine 1LP form on March 31 via Cooking Vinyl. In a recent Zoom interview with AP editor Mike Mettler, Zombies vocalist Colin Blunstone discussed the connective sonic tissue between Different Game and their 1968 masterpiece Odessey and Oracle, why he prefers hearing songs like “Time of the Season” in mono, and why the Odessey album benefitted from some things The Beatles left behind in EMI Studios while they were recording their legendary June 1967 Sgt. Pepper album. Read on to glean all the properly seasoned details. . .