LATEST ADDITIONS

Hand-built in Kent, England, Classic Audio’s MM PRO by Michael Fidler phono preamp is a pint-sized bruiser that packs a real punch. This little box — no bigger than a Samsung Galaxy Z Fold phone tucked into a Band-Aid tin — is a serious piece of kit hiding inside a sandblasted aluminum frame. Read Ken Micallef’s review to see if Fidler’s MM PRO makes the grade in terms of clarity, separation, and broad soundstage performance. . .

In the world of popular music, few names are as iconic as Louis Armstrong. His influence is undeniable as one of the founding fathers of jazz, and while there is no shortage of posthumous releases issued since Armstrong’s passing at age 69 in 1971, that wealth of music can also make the process of discovery daunting for new listeners trying to figure out where to begin — or where longtime fans can continue. Read Mark Smotroff’s review of the newly released 180g 1LP Louis in London set on Verve to see why this live performance he did for BBC TV in 1968 is a great place to start and/or resume. . .

I’m sure most of us use some kind of record clamp to stabilize the vinyl we’re spinning, whether old or new. Lately, I’ve felt like updating mine, so I’ve been looking at a number of clamps across the SRP spectrum from the readily affordable up to the ogle-worthy budget busters. Somewhere between those two SRP poles is one such clamp that recently caught my eye — namely, the striking model shown here, the Titanic Audio Newton record clamp. Read on to clamp down on all the Newton’s specs and features. . .

We’ve long dreamt about a true mid-fi revolution wherein affordable gear can perform at a top-tier level — and, as if right on cue, the Gold Note T-5 turntable arrived for a hands-on evaluation. Read Ken Micallef’s review to see how and why the T-5 consistently delivers great sound well above its price point. . .