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While others tossed, self-described music executive, historian, collector, archivist and memorabilia dealer Jeff Gold (an accurate though woefully incomplete description, by the way) was one of those prescient individuals who, as a young man, saw the intrinsic value in most everything physical related to the wondrous post World War II growth of music both as culture and as business.

Let’s head off at the pass what will surely be in the comments section under this review of a remarkably compact, full-featured, remote-controllable music playback system that includes in a single box, a high quality Pro-Ject Debut Carbon Esprit 3 speed turntable with dustcover, fitted with an Ortofon 2M “Silver” cartridge (incorrectly identified as OM2 on the Andover website—it’s similar to the Ortofon 2M Red but with fewer winds of the same silver-plated copper wire found in Ortofon’s 2M Bronze and 2M Black) that alone sells for $599 and includes an acrylic platter and 8.6” carbon fiber tonearm, an A/D converter, a 192/24 bit DAC, analog and digital inputs plus a subwoofer “out”, Bluetooth ( Qualcomm APT-X) streaming and built in amplification (2 x 70 Class D watts to woofers and 2 x 30 watts to tweeters) and of course multiple (6) high quality speakers (4 “long throw” aluminum diaphragm woofers and a pair of Air Motion Transformer tweeters originally invented by Dr. Oskar Heil that uses metal-etched folded polyethylene sheets to move air in process we won’t go into here!).

Shortly after their 1970 sophomore album Fun House’s release, Detroit proto-punk legends the Stooges played the Goose Lake Festival in Jackson, Michigan, 80 miles west of Detroit. Intended to be a Midwest Woodstock of sorts, with acts like the Small Faces, Jethro Tull, and Chicago (among many more) the 3-day festival drew 200,000 attendees over a stifling weekend. The environment became tense; in this LP’s liner notes, Jaan Uhelszki writes of 500 people attending the Open City LSD bad trip rescue tent, with countless others also being stoned on PCP masquerading as cocaine. Still, the festival itself was well-organized. Bands played on a rotating stage, were limited to 45-minute sets without exception, and a six-foot fence and trench blocked performer/crowd interaction.

Talk about bad luck: Love And Theft Bob Dylan’s first album in four years, his 43rd (at the time, including live and studio) and the follow up to the million-selling, triple-Grammy Award winning (including “Album of the Year”) Time Out of Mind had a September 11th, 2001 drop date. Buildings dropped instead.