Until the publication of this book this past fall, few people have seen this mind-boggling collection of black and white images shot by the late photographer Chuck Boyd in Los Angeles beginning in 1965. Though Boyd passed away in 1991 this set stops with a remarkable double page shot of B.B. King taken in 1978.
Stage photography begins with being at the right place at the right time. Some people have a knack for it. Within a very short time back in the 1980s music fan Jimmy Steinfeldt went from standing on a-chair fan snapshots to having his photographs published in major music magazines like SPIN and Rolling Stone.
It's too bad no one at The David Letterman Show read this book before Robert Plant, John Paul Jones and Jimmy Page recently appeared on the show. Dave wasn't prepared, didn't know what to say or ask and so it was all inane small talk.
While The Beatles' musical arc was ever upward, the group's cinematic efforts traveled in the opposite direction. "A Hard Day's Night" was the group's best film. Shooting in black and white was more of a financial than esthetic choice it worked perfectly to capture the staid post-war period the boys found themselves in growing up.
A woman walks into a butcher shop. She says "Can I see that chicken?" The butcher hands it to her. She smells it in front, she smells it in back, she smells it all over and then hands it back to the butcher saying "Mister, this chicken stinks!" The butcher replies "Lady, could you pass a test like that?"
Released in the U.K. November 22nd, 1963—the day John F. Kennedy was assassinated, many of the songs here weren't released in America until Capitol issued Meet The Beatles! in January of 1964 but a few bitter months after the assassination. America, particularly its youth needed an emotional pick me up and The Beatles provided it, though more on the Vee-Jay album than on this one.
Recorded live at Abbey Road in fewer than ten hours in February of 1963 at a cost of around £400 and issued on March 22 (my Beatles birthday present), Please Please Me captured all of the raw energy of The Beatles playing live at The Cavern Club, though on stage they didn't put the vocals in one P.A. speaker and the instruments in the other!
With all of the reissues coming from questionable sources or proudly proclaiming their "digital-ness" ala The Beatles Box, we're fortunate to have labels like Analogue Productions, Mobile Fidelity, ORG, IMPEX, Rhino and the others cutting lacquers from analog tapes.
Rhino recently reissued Love's essential Forever Changes album in conjunction with last November 23rd's "Record Store Day." The album was cut by Chris Bellman at Bernie Grundman Mastering and pressed at RTI.