These loose, swinging 50+ year old sessions recorded in the summer of 1958 and winter of 1959 and sounding incredibly life-like tonally, offer Duke Ellington and Billy Strayhorn on piano fronting small combos of legendary horn players, some not normally associated with Ellington, Joe Jones on drums and a few added musicians to spice up the mix.
Five years ago, during a visit to the Hi-Fi News “Heathrow” audio show someone passed along an intriguing tidbit: EMI’s mothballed record pressing plant was back in business on the Hayes-Middlesex campus. Since it was but a short cab ride from the show venue, I paid an unscheduled visit.
All that's left of the original Hayes-Middlesex EMI record manufacturing facility is the landmark smokestack shown in the top photo.The current PortalSpace pressing plant resides in the buildings shown on the left of the second photo.The third photo shows the busy PortalSpaceRecords loading dock.
Once inside, you come upon the packing department, where on the day of my visit, I found workers placing George Harrison's Living In The Material World LPs into jackets. The finished package is then shrinkwrapped and boxed for worldwide shipment.
This interview, conducted by Matthew Greenwald back in 1997, first appeared in issue 14 of The Tracking Angle. As Rhino readies the new Doors LP box set (now set for April, 2008), we figured it was a good time to present it here-ed.
Depot.' I knew just by looking at that record (especially the label), that it was something special compared to the American Reprise pressing I already had. Of course having been turned on to the Parlophone Beatles albums a few years earlier, I had a well-founded pre-conceived notion about the improved sound quality well before listening.
The long awaited faux lizard skin clad, seven 180g LP The Doors box set has finally arrived, two years late, at a higher than originally announced cost, and for now (May, 2008), in very short supply.
MG: Jumping back into some old groups that you recorded, Brazil 66....
BB: I really loved that time. That was for Herb Alpert, who was the producer. I prefer Brazil 66, the first album, over Equinox, sonically, because that was another case where it was done on four-track, tube all the way. Also the fact that it was all new to us and it was a big sound, I really liked it.
Swiss-born recording engineer Marc Aubort began his career in the late 1940’s working first with wire recorders and later with tape. Aubort first came to America in 1955 to inspect the American operation of European budget label MMS (Musical Masterpiece Society).