LATEST ADDITIONS

Michael Fremer  |  May 01, 2010  |  0 comments

These loose, swinging 50+ year old sessions recorded in the summer of 1958 and winter of 1959 and sounding incredibly life-like tonally, offer Duke Ellington and Billy Strayhorn on piano fronting small combos of legendary horn players, some not normally associated with Ellington, Joe Jones on drums and a few added musicians to spice up the mix.

Michael Fremer  |  Apr 30, 2010  |  First Published: Dec 31, 1969  |  0 comments

Five years ago, during a visit to the Hi-Fi News “Heathrow” audio show someone passed along an intriguing tidbit: EMI’s mothballed record pressing plant was back in business on the Hayes-Middlesex campus. Since it was but a short cab ride from the show venue, I paid an unscheduled visit.

Michael Fremer  |  Apr 30, 2010  |  First Published: Dec 31, 1969  |  0 comments
All that's left of the original Hayes-Middlesex EMI record manufacturing facility is the landmark smokestack shown in the top photo.The current PortalSpace pressing plant resides in the buildings shown on the left of the second photo.The third photo shows the busy PortalSpaceRecords loading dock.

Once inside, you come upon the packing department, where on the day of my visit, I found workers placing George Harrison's Living In The Material World LPs into jackets. The finished package is then shrinkwrapped and boxed for worldwide shipment.

Matthew Greenwald  |  Apr 30, 2010  |  First Published: Dec 31, 1969  |  2 comments

This interview, conducted by Matthew Greenwald back in 1997, first appeared in issue 14 of The Tracking Angle. As Rhino readies the new Doors LP box set (now set for April, 2008), we figured it was a good time to present it here-ed.

Michael Fremer  |  Apr 30, 2010  |  First Published: Dec 31, 1969  |  1 comments

Depot.' I knew just by looking at that record (especially the label), that it was something special compared to the American Reprise pressing I already had. Of course having been turned on to the Parlophone Beatles albums a few years earlier, I had a well-founded pre-conceived notion about the improved sound quality well before listening.

Michael Fremer  |  Apr 30, 2010  |  First Published: Dec 31, 1969  |  1 comments
The long awaited faux lizard skin clad, seven 180g LP The Doors box set has finally arrived, two years late, at a higher than originally announced cost, and for now (May, 2008), in very short supply.
Matthew Greenwald  |  Apr 30, 2010  |  First Published: Dec 31, 1969  |  0 comments

MG: Jumping back into some old groups that you recorded, Brazil 66....

BB: I really loved that time. That was for Herb Alpert, who was the producer. I prefer Brazil 66, the first album, over Equinox, sonically, because that was another case where it was done on four-track, tube all the way. Also the fact that it was all new to us and it was a big sound, I really liked it.

MG: Was that done at Gold Star Studios?

Matthew Greenwald  |  Apr 30, 2010  |  First Published: Dec 31, 1969  |  0 comments

We asked Bruce Botnick to pick 10 of his favorite sessions...

Michael Fremer  |  Apr 30, 2010  |  First Published: Dec 31, 1969  |  3 comments

Swiss-born recording engineer Marc Aubort began his career in the late 1940’s working first with wire recorders and later with tape. Aubort first came to America in 1955 to inspect the American operation of European budget label MMS (Musical Masterpiece Society).

Roger Hahn  |  Apr 30, 2010  |  First Published: Dec 31, 1969  |  0 comments

Our Man in New Orleans, Roger Hahn reports from the New Orleans Jazz and Heritage Festival 2009. You'll think you went!

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