In his annotation, jazz critic/social commentator Nat Hentoff writes about this 1959 meeting between tenor sax legend Ben Webster and baritone sax smooth talker Gerry Mulligan: “It seems to me that even the most rash liner note writer has to pause before predicting the longevity of the session he’s assigned to introduce, but it requires neither courage nor obtuseness to underline the obvious likelihood that this one will be listened to as long as anyone cares about jazz.”
The 36 year old Malian singer-songwriter Rokia Traoré, daughter of a globe-trotting diplomat, has been performing and recording for over a decade now. This, her third album from 2008, has only recently been released on double 180g vinyl.
Elvis in the army meant no new albums or singles from the King so RCA producers raided the vaults to put together this album and A Date With Elvis (LPM-2011).
The death of Noel Brazil, Mary Black’s long time collaborator and favorite songwriter, weighs heavily on the song selection here. The album is populated with songs of sadness, resignation and rebirth.
How rare and collectible is this record? A mint original sold for $678.00 back in 2004. I doubt it sounds as good as this double 45rpm reissue but I can’t be sure since I don’t have one.
Modern Jazz Quartet fans will find this Milt Jackson solo outing surprising and in a sense liberating. While the vibraharpist remains his usual cool, resilient self, the addition of Kenny Dorham on trumpet and Jimmy Heath (brother of MJQ bassist Percy) on tenor sax gives the outing a bit more swagger and drive compared to the MJQ’s usual studiousness.
I’ll throw my two cents into the “greatest rock vocalists” ring: Steve Marriott. He’s the one for me. His work with the original Small Faces stands above all else, but later Marriott joined Peter Frampton and the two formed Humble Pie with bassist Greg Ridley and drummer Jerry Shirley.
Drop John Lee Hooker off in the parched environs of Paris, Texas and tell him to do his mournful thing and that it’ll be okay because Miles Davis will be right behind him with his mute trumpet following his every musical move the way Ali Akbar Khan followed Ravi Shankar's.
Former Image Hi-Fi magazine editor Dirk Sommer and his wife Birgit Hammer-Sommer recorded and produced this solo double bass performance by Dieter Ilg using a purist analog chain direct to ¼” analog audio tape. Compression was neither contemplated nor used, nor was there any filtering or equalization of any kind.