Bassist Roger Glover is the secret sauce of Deep Purple. His pub-rock roots fuel the sonic elixir that gives Purple’s musical bouillabaisse blend of rock, classical, and progressive the extra oomph it needs — and it’s something that’s well in evidence on Deep Purple’s latest, and 23rd, studio LP, the 180g 45rpm 2LP set named/numeraled = 1, which was released by earMUSIC/Edel on July 19, 2024. On a recent Zoom call with AP editor Mike Mettler, Glover discussed his instinctual connection with drummer Ian Paice, which version of the band’s classic 1972 LP Machine Head is his favorite, and what vintage Deep Purple albums he’d like to remix himself. . .
One of the many affordable turntables that impressed us at High End Munich 2024 was Dual’s CS 529, which features a twin gimbal tonearm and a pre-mounted Ortofon 2M Red cartridge (among other things), so we felt it was time to give the German company’s latest a closer look. Read on to see all the features and specs of the Dual CS 529 table. . .
We loved it when Pro-Ject debuted their commemorative Debut PRO turntable three years ago in conjunction with the company’s 30th anniversary, and we also love that they’ve just introduced the upgraded version of that very cool table, the Debut PRO B. Read on to see all specs and improved features of the Debut PRO B. . .
Have mercy! Rhino High Fidelity (a.k.a. Rhino Hi-Fi) does it again with today’s special box set release — namely, ZZ Top’s From The Top: 1971-1976, a limited-edition vinyl reissue collection containing the first five LPs from that little ol’ band from Texas — ZZ Top’s First Album (1971), Rio Grande Mud (1972), Tres Hombres (1973), Fandango! (1975), and Tejas (1976). Read on to learn about the source materials, the SRP, and where you can get From the Top exclusively. . .
Periodically, artists will issue an album that unintentionally divides their audience, as John Lennon did with his October 1973 solo LP, Mind Games. A new 2LP set dubbed Mind Games: The Ultimate Mixes & The Out-takes, released on July 12, 2024, may change some of that perspective, as it aims to bring listeners more inside Lennon’s 1973 recording sessions at New York’s Record Plant studio. Read Mark Smotroff’s review to see if this new edition of Mind Games is worth the investment. . .
Hand-built in Kent, England, Classic Audio’s MM PRO by Michael Fidler phono preamp is a pint-sized bruiser that packs a real punch. This little box — no bigger than a Samsung Galaxy Z Fold phone tucked into a Band-Aid tin — is a serious piece of kit hiding inside a sandblasted aluminum frame. Read Ken Micallef’s review to see if Fidler’s MM PRO makes the grade in terms of clarity, separation, and broad soundstage performance. . .
When it comes to vinyl, we’re all about passion — and we here at AP absolutely love the passion that fuels the French boutique label, distributor, and online record store, Diggers Factory. Check out Shanon McKellar’s sneak peek videoclip as she previews some of the Diggers Factory releases she plans to review. . .
In the world of popular music, few names are as iconic as Louis Armstrong. His influence is undeniable as one of the founding fathers of jazz, and while there is no shortage of posthumous releases issued since Armstrong’s passing at age 69 in 1971, that wealth of music can also make the process of discovery daunting for new listeners trying to figure out where to begin — or where longtime fans can continue. Read Mark Smotroff’s review of the newly released 180g 1LP Louis in London set on Verve to see why this live performance he did for BBC TV in 1968 is a great place to start and/or resume. . .
John Mayall, the undisputed father of the British blues movement, passed away at age 90 in California on July 22, 2024. Mayall emerged in the heyday of the ’60s blues-rock scene in Britain, and over the ensuing years, he shepherded the ace guitar-slinging likes of Eric Clapton, Peter Green, and Mick Taylor. In an updated and expanded interview with AP editor Mike Mettler, Mayall discussed why he preferred to cut his tracks in as few takes as possible, what specific factor he based his sequencing choices on, and how his 1966 Blues Breakers With Eric Clapton LP truly opened up a new avenue of recording. . .
I’m sure most of us use some kind of record clamp to stabilize the vinyl we’re spinning, whether old or new. Lately, I’ve felt like updating mine, so I’ve been looking at a number of clamps across the SRP spectrum from the readily affordable up to the ogle-worthy budget busters. Somewhere between those two SRP poles is one such clamp that recently caught my eye — namely, the striking model shown here, the Titanic Audio Newton record clamp. Read on to clamp down on all the Newton’s specs and features. . .