Tapestry Mobile Fidelity One-Step Versus ORG Standard Pressing (Time Line Correction)

Thanks to a reader's generosity I was sent a copy to audition of Mobile Fidelity's One-Step release of Carole King's Tapestry album. It's clear to me I'm on Mo-Fi's "bad dog" list. I've not been offered for review any of the company's turntables, phono preamps or cartridges. When I ask, I'm met with stone silence. Over the past few years I've gotten only one record for review (that was wrong and to Mobile Fidelity music side I must apologize. I've gotten more than a few records to review since I reviewed and raved about the One Step Monk's Dream in April of 2020. My timeline was stunted by "Covid compression". Actually more than a few records did show up after that and I apologize to Mobile Fidelity for getting the timeline wrong. It's been quite a while since I got a record from them but that's mostly because nothing's been released in some time. Though after I asked for a copy of Jeff Beck's Truth album I got a copy and gave it a well-deserved great review). This audio product review shunning can't be accidental. What did I do to be cut out of the equipment? I have no idea and it's none of my business.

So, thanks to a reader's generosity here's a comparison of "So Far Away" from Tapestry as a One-Step Mobile Fidelity release and the ORG edition from a few years back cut by Bernie Grundman and Chris Bellman. Both of these editions are at 45 rpm. I'm not going to foul the waters by giving you my take. At least not until the votes are in and perhaps not at all. Polls will be open for 1 week.

BTW: turntable was OMA K3, Frank Schröder K3 arm, Lyra Atlas Lambda SL cartridge, CH Precision P1/X1 phono preamp, Lynx HiLo A/D converter.

File "1"

File "2"

<i>Tapestry</i> Mobile Fidelity One-Step Versus ORG Standard Pressing (Time Line Correction)
"So Far Away" Version 1
37% (265 votes)
"So Far Away" Version 2
63% (454 votes)
Total votes: 719
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You Have a Lovely Voice Paul, But Artie Has a Fine Voice

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Tornado & Lock Down Produces Welch & Rawlings'  All The Good Times Are Past And Gone

First their Woodland Studio took a direct hit from the tornado that tore through Nashville March of 2020, and then came the Covid lock down.

Like the rest of us locked down at home but with more talent than most, Gillian Welch and David Rawlings decided to produce a home recording. The result is this all-analog gem released first in the fall of 2020 in a limited to 2,500 copies edition available only on the Acony Records Online Store and last year in a more standard jacketed edition.

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Artist: 
Gillian Welch & David Rawlings
Album: 
All The Good Times Are Past and Gone
Cred Label: 
Acony ACNY 2015LP
Cred Prod: 
David Rawlings
Cred Eng: 
David Rawlings & Matt Andrews
Cred Mix: 
Telefunken SM2C
Cred Mast: 
David Rawlings & Matt Andrews
First their Woodland Studio took a direct hit from the tornado that tore through Nashville March of 2020, and then came the Covid lock down.

Who's Umami?

The extensive Hana moving coil cartridge lineup manufactured in Japan by the half-century old Excel Sound Corporation (“controversial” factory tour embedded below) is a high value, performance, and quality, logically progressing array that until the release of the $3950 Umami Red was priced from a $475 low to a $1200 high. Remarkably moderate prices in today’s cartridge market.

John Coltrane Quartet's Crescent  Reissued by Verve/Acoustic Sounds

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Artist: 
John Coltrane Quarter
Album: 
Crescent
Cred Label: 
Impulse!/Verve/Acoustic Sounds A-66/B0033783-01 180g LP
Cred Prod: 
Bob Thiele (Reissue Supervisor, Chad Kassem)
Cred Eng: 
Rudy Van Gelder
Cred Mix: 
Rudy Van Gelder
Cred Mast: 
Ryan Smith at Sterling Sound, Nashville
Crescent, John Coltrane’s 9th Impulse! Album, released in the summer of 1964, followed a pair of live albums (Live at Birdland and Impressions [mostly live tracks from the Vanguard dates]) and a pair of collaborations (Duke Ellington & John Coltrane, and John Coltrane and Johnny Hartman) with Ballads—a quickly recorded album of standards sandwiched in between.

A New "On the Wall" Way to Store and Display Records from Toneoptic

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Primary Category: 
Category: 
Artist: 
Lana Del Rey
Album: 
Blue Banisters
Cred Label: 
Polydor/Interscope Records 3859014 2LP
Cred Prod: 
Lana Del Rey, Gabe Simon, Zachary Dawes, Dean Reid, Drew Erickson, Clayon Johnson, Chantry Johnson, Barrie James O’Neill, Loren Humphrey, Kieron Menzies, Mike Dean #MWA, Rick Nowels
Cred Eng: 
Dean Reid, Gabe Simon, John Congleton, Jon Sher, Mai Leisz, Alex Tomkins (assistant), Ben Fletcher (assistant), Brian Rajaratnam (assistant), Michael Harris, Loren Humphrey, Sage Skolfield, Sean Solymar
Cred Mix: 
Dean Reid, Gabe Simon, Michael Harris, Drew Erickson, Cian Riordan, Jason Wormer, Lana Del Rey, Barrie James O’Neill
Cred Mast: 
Adam Ayan at Gateway Mastering, Portland, ME & Mike Dean #MWA for Dean’s List Productions at Dean’s List House of Hits, Cypress, TX (no lacquer cutting credits)
We know that relationships dictate our life’s outcome. However, what isn’t obvious is the way relationships exist not only between people, but also within and beyond them. Singer-songwriter Lana Del Rey fortunately knows this well, though now more than ever she understands their utility. On Lana Del Rey’s second 2021 album, Blue Banisters, she proves that intrapersonal, environmental, and especially interpersonal relationships all teach valuable lessons promoting future wellness.

Coltrane "Live" At The Village Vanguard  Lives Again!

Listening today to this record originally released February, 1962—60 years ago—it’s difficult to understand why it created controversy so intense that Downbeat’s editor at the time invited Coltrane and Eric Dolphy to “defend” it in print. On the other hand, if you’re looking for a jazz album entry point, this live album probably wouldn’t be it—especially side two. Sixty years on, “Chasin’ The Trane” might still send some running for cover (or covers, of which there’s but one on here, Hammerstein and Romberg’s beautiful “Softly As In a Morning Sunrise”).

Primary Category: 
Artist: 
John Coltrane
Album: 
Coltrane "Live" At The Village Vanguard
Cred Label: 
Impulse! A-10/ B0033782-01 180g LP
Cred Prod: 
Bob Thiele (Reissue Supervisor, Chad Kassem)
Cred Eng: 
Rudy Van Gelder
Cred Mix: 
Rudy Van Gelder
Cred Mast: 
Ryan Smith
Listening today to this record originally released February, 1962—60 years ago—it’s difficult to understand why it created controversy so intense that Downbeat’s editor at the time invited Coltrane and Eric Dolphy to “defend” it in print. On the other hand, if you’re looking for a jazz album entry point, this live album probably wouldn’t be it—especially side two. Sixty years on, “Chasin’ The Trane” (name given by RVG who said he literally had to “chase Coltrane” on mic to capture him during the performances) might still send some running for cover (or covers, of which there’s but one on here, Hammerstein and Romberg’s beautiful “Softly As In a Morning Sunrise”).

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