Florida Expo 2022 Still "A Go" As of Today

Despite surging Covid Omicron cases, the organizers of Florida Audio Expo 2022 plan on holding the show February 2022. Here's the press release. By the way, there's a new variant called OmicronMQA. You get Covid, and it unfolds in your body smallpox and diptheria (rimshot).

Willie Nelson's Singing "Chops" All There On 1961 Debut

The term “singer/songwriter” hadn’t yet been coined when the “hotter’n a depot stove” 29 year-old songwriter Willie Nelson stepped into the studio to record his debut album for Liberty Records. Back then, you were either a songwriter or a singer, though of course there were a very few who were both. Here Nelson proves he was one of them.

Primary Category: 
Artist: 
Willie Nelson
Album: 
....and then I wrote
Cred Label: 
Liberty/Analogue Productions APP 133-45 2 180g LPs
Cred Prod: 
Joe Allison
Cred Eng: 
Selby Coffeen and Ralph Valentine
Cred Mix: 
(Probably the two credited engineers)
Cred Mast: 
Matt Lutthans at The Mastering Lab, Biue Heaven Studios, Salina, KS
The term “singer/songwriter” hadn’t yet been coined when the “hotter’n a depot stove” 29 year-old songwriter Willie Nelson stepped into the studio to record his debut album for Liberty Records. Back then, you were either a songwriter or a singer, though of course there were a very few who were both. Here, Nelson proves he was one of them

2021 Catch-Up Explosion, Part 1

Despite our best efforts, we unfortunately didn’t review in real time every consequential 2021 release; thankfully, there’s still time to catch up on important missed albums, EPs, and singles. Our two 2021 Catch-Up Explosions (of which this is the first) differ somewhat from typical Review Explosions: some of these reviews are shorter than usual, and this time we won’t include sound quality scores (though rest assured, those will remain a site fixture). We won’t be able to cover every worthwhile 2021 release, though it’s possible to provide a reasonably comprehensive roundup of the year in music. The reviews are listed alphabetically, not by merit. Let’s begin!

PS Audio CEO Paul McGowan’s The Audiophile’s Guide Enlightens Junior Audiophiles

“Imagine building or improving your home stereo system in a way that makes your music come alive—like the performers are right in front of you—even on a budget. It’s easier than you think.” - PS Audio

Vinyl Reports: Susumu Hirasawa & Fishmans

(Vinyl Reports is an AnalogPlanet feature aiming to create a definitive guide to vinyl LPs. Here, we talk about sound quality, LP packaging, music, and the overarching vinyl experience, this time in a shorter format than usual.)

Horace Tapscott, Tom Albach and the Story of Nimbus West Records Part 2

COMMENTS
Anton D's picture

Horace is so cool that Hieronymus Bosch digs him.

swimming1's picture

Cool comment and Horace is way cooler!

Ryan_Pretzel's picture

Very good read and thank you for sharing this information. Instant pre-order for those two titles and I am excited to see the other projects mentioned here too.

Mark Evans's picture

in the 1980s and 90s. That is where I first listened to Tapscott's music. Los Angeles based Interplay Records also released three Tapscott recordings. Elaine Brown commissioned Tapscott to arrange and conduct her album titled, "Seize the Time" on Vault Records. Found that at the Jazz Record Mart too. Still see it around the Chicagoland record shows every once in a while. I enjoyed reading this article.

charliepress's picture

I purchased most of the Tapscott solo lps at the Jazz Record Mart during that time, when I was a college student in Chicago (1985-1989)

billsf's picture

Wonderful post. Thank you so much. You've filled in so many blanks and helped me make sense of the new reissues. I'm listening to my old copy of The Call right now. Gorgeous!!

Andy1974's picture

Interesting that he's not explicitly calling out Outernational sounds as the other label where these are available as I'm sure these are officially licensed as well. I know the excellent Kirk Lightsey & Mallory Hall band releases through their label are using the master tapes & pressed at Pallas & sold at very reasonable prices.

However, I'm sure the new Nimbus reissues from Pure Pleasure & Kevin 'Boom 'Boom' Gray, will improve any existing pressings.

https://honestjons.com/shop/label/Outernational_Sounds

Mark Evans's picture

Sounds pressings for the Tapscott LPs with the tonearm jumping out of the record groove.

https://www.discogs.com/release/13406355-Horace-Tapscott-With-The-Pan-Af...

Andy1974's picture

I have at least 3 that sound great. Even ERC have some pressing defects :)

I would really recommend this from the same label, it's fantastic:

https://www.discogs.com/release/16071795-Kirk-Lightsey-And-Rudolph-Johns...

charliepress's picture

I spoke with Tom Albach several times while I was a college radio dj with a jazz show (1985-1989) and became obsessed with Horace Tapscott at the time. He did, in fact, send me some promo copies of lps, though unlike other labels, I had to ask for them (they were not on cd at the time). Later, in 1992 when I moved to California, I struck up correspondence with Albach againand purchased everything released on the label. From my brief interactions with Tom, the article's depiction of him seems accurate, but my interractions were with someone who was committed to jazz and social justice, 2 things I am still commtted too. Perhaps a bit more business savy would have helped him, but I think the music industry needs more people like Tom Albach and fewer of, say, folks like Lucian Grange.

Andy1974's picture

Hi, can someone clarify the sources of the new reissues? I just received a copy of Flight 17 from Pure Pleasure (haven't had a chance to listen to it yet), but there is no KG&CA in the dead wax. I'm a bit confused by the article, it seems to be saying only the Kevin Gray mastered titles are from analogue, so is this new Pure Pleasure release from a CD?

Michael Fremer's picture
I asked Kevin about this. His first response was "Everything for Nimbus comes straight off of their tapes". I followed up with, "Did you cut for Pure Pleasure reissues?". His response was "Yes." I replied, "Thanks! Happy New Year! A reader didn’t see your scribe mark in the lead out groove area and so wondered". Kevin responded, "Happy New Year to you too. That's weird. I always scibe 'em with my initials".
Michael Fremer's picture
The author Joe Washek saw these comments and forwarded what he thinks are the facts about the various reissues.

Chad's Acoustic Sounds website has 13 PP (Pure Pleasure) NW reissue LPs for sale. Mastering info is listed for 12 of them. Here it is:

Gary Bias---KG checked and confirmed by me

Nate Morgan Journey to Nigritia---Ray Staff/Air Mastering Checked and confirmed by me. NO KG NW issued on CD 2004 according to Discogs

H Tapscott LIve Lobero Vol 1 --KG not confirmed by me

Dadisi Komolafe Hassan's Walk-- No mastering info @ AS. I confirmed that there is NO KG in runout and etchings are similar to those on Nate Morgan's Journey. Discogs: NW CD 2009

H Tapscott The Call -- Ray Staff/AM not confirmed by me. Discogs: NW issued on CD 2012

H Tapscott Dial B--- KG checked and confirmed by me

Nate Morgan Retribution Reparation---Acoustic Sounds lists RS/AM. I checked and this is incorrect. KG @ CA is in runouts

Adele Sebastian Desert Fairy Princess--RS/AM not confirmed by me. Discogs: NW issued a CD 2005

HT Live Lobero Vol 2 KG Checked and confirmed by me.

Linda Hill Linda's Lullaby--KG Checked and confirmed by me

H Tapscott Flight 17--- RS/AM Not confirmed by me. Discogs: NW issued a CD 1997

Creative Arts Ens One Step Out--- RS/AM Checked and confirmed by me. NO KG. Discogs: NW issued a CD 2001

Ricky Kelly Limited Stops---KG. Checked and confirmed by me

I confirmed runout info by examining my copies. The three LPs without KG etching all had similar etchings --NS catalog number-A/B plus another 50000+ number and no initials.

Acoustic Sounds website lists six of the PP reissues as being mastered by Ray Staff/Air Mastering PP LPs do not list sources used for mastering. We know KG has said that his work for NW was from tapes.

JW adds:

I think the above info leads one to believe that KG did not master about half the PP reissues. Of some interest is that Nate Morgan's "Retribution Reparation", a very good album is in fact a KG master and Acoustic Sounds info (presumably from PP) is wrong.

The three "No KG" Pure Pleasure reissues that I have heard sound quite good but slightly digital. Pressings were clean and quiet.

All PP LPs I own are all excellent pressings and the covers are well done. They are a quality product and I would recommend them.

Andy1974's picture

.. I agree with JW's comments regarding Pure Pleasure. All the titles I have from them are great and this is no different.

Great article by the way.

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Horace Tapscott, Tom Albach and the Story of Nimbus West Records

If you’re a musician making albums and you’re not a major pop/rock star or you don’t own your own label, the money you make comes with strings attached. To some, they may be invisible—"Hey, that’s what you do to sell records. Right?” To Horace Tapscott, the strings were all too visible and entangling. He wasn’t going to be a puppet dancing for the record companies and the whole system of which they were part.

The Rear View Mirror: Yen Records’ We Wish You A Merry Christmas

Uniquely deviating from the overplayed standard holiday music fare, Yen Records’ We Wish You A Merry Christmas is a Christmas LP actually worth your time, energy, and money. With exclusive material from Haruomi Hosono, Yukihiro Takahashi, Miharu Koshi, Taeko Ohnuki, Moonriders, and others, it creatively rounds up the YMO orbit in a cohesive holiday listen.

Primary Category: 
Artist: 
Various Artists
Album: 
We Wish You A Merry Christmas
Cred Label: 
Yen Records YLR-28012 LP (second pressing)
Cred Prod: 
Yukihiro Takahashi and Nobuyuki Takahashi
Cred Eng: 
N/A
Cred Mix: 
N/A
Cred Mast: 
N/A
Uniquely deviating from the overplayed standard holiday music fare, Yen Records’ We Wish You A Merry Christmas is a Christmas LP actually worth your time, energy, and money. With exclusive material from Haruomi Hosono, Yukihiro Takahashi, Miharu Koshi, Taeko Ohnuki, Moonriders, and others, it creatively rounds up the YMO orbit in a cohesive holiday listen.

AnalogPlanet’s 2021 Holiday Gift Guide! Page 2

COMMENTS
Anton D's picture

That was that was, as Malachi mentioned in his Spiritualized review, exquisite!

Great list.

I am compelled to add...

1) The best record brush I have ever used....only 52 bucks!

https://www.ursa-major.eu/shop-us

2) Bonny Light Horseman is the best turn out the lights and fade into you album of the past several years. (It's acoustic and great for lying in bed in the dark and simply enjoying. File Under easy Listening.

https://www.bonnylighthorseman.com/

3) Edward O'Brien's (EOB) LP "Earth" is solidly great and can also be quite trance inducing. It also comes in four, count 'em, four colors!

https://www.amazon.com/Earth-EOB/dp/B084DG7DHF

4) If the audiophile in your life is interested in some fine vintage hardware...

A) Empire turntable are going to be the next Thorens 124. Only 200-400 bucks 2-3 years ago, now around a grand for nice ones, but stinking beautiful to behold, they are 'tinkerable,' and nicely done. Did I mention how pretty?

B) This one is top secret: Find a Technics SP10 Mk II and then have it modified by Krebs!

http://www.krebsupgrade.com/

Krebs, IIRC, is the drive guru behind that Oswald Mills Oma turntable that we can't afford. This is the middle class person's way to enter that level of the atmosphere. (Doing this now may actually yield a return on investment, as well. Once word gets around about the Oma table and the SP 10 Mk II motor...to the moon!)

4) The Feickert Next Generation Universal Protractor is 250 bucks and is a fantastic and sharable tool!

https://www.musicdirect.com/analog-accessories/feickert-next-generation-...

5) Treat yourself to almost any Audio Technica cartridge and be prepared to be pleased. Seriously, pick your budget point and just go for it. Almost ever model in the long lineup has advocates for its greatness. Again: pick any model and get great bang for your buck, top to bottom.

https://www.audio-technica.com/en-us/cartridges/best-for/audiophile

6) Simply stroll into Amazon and search for "Turntable Weight." save yourself hundreds of dollars! Buy an array and have a club meeting to compare! The Femeli line is lovely. The Nobsound could be made by Oracle! really, under 30-40 bucks and you have great stocking stuffers!

https://www.amazon.com/s?k=turntable+weights&ref=nb_sb_noss_1

7) Humminguru's ultrasonic record cleaner is a blast to use and CHEAP!

I have one, I got one for my son, and several of my local Hi Fi Club's members have them....easy to use, about 350 bucks.

I also have a Nitty Gritty Mini Pro and the Audiodesk and this Humminguru is a worthy companion for loads less dinero! This product is almost transcendent for the price. We stood around at our annual Chico Hi Fi Club bonfire and 'steak sans utensils' last night and sang its praises. Please check it out.

https://humminguru.com/

MalachiLui's picture

thanks for the recommendations! definitely makes a good addition to the (already long!) list! good suggestions there (though for the record, i long ago sold off my US pressing copy of EOB's 'earth'...)

Anton D's picture

If you had been the proper age when "Earth" was released, you'd be able to recognize its proper place in the pantheon of stars.

Carn sarn you young people not lining up and getting in step with us old guys!

I'm gonna go yell at a cloud, now.

Peace, out. Happiest of holidays to this great site.

:-D

Glotz's picture

EOB Earth was fun! And you are one of my favorite rays of sunshine!

Happy holidays to everyone and God bless every last one of you.

Glotz's picture

But mine sheds all over the friggin place. Great effective brush tho... 14 rows of merciless cleaning!

Mendo's picture

I agree that Empire table's prices are on the go. However, having owned one in college I have to say that the tonearm had massive slop in it. It still sounded pretty good, but that was a real turn off. Several others I have seen were the same.

mraudioguru's picture

...inner sleeves. I've tried almost all of them.

https://www.sleevecityusa.com/diskeeper-ultimate-audiophile-inner-sleeve...

I'm quite interested in that Humminguru RCM.

vinyl listener's picture

It does a fair job but is best used in conjunction with a good manual pre-scrub before you use the Guru. It appears most buyers are noobs who have never cleaned a record before so are wowed by the Guru's rundimentary performance. For more info checkout the videos on Youtube by The Vinyl Attack !

RH's picture

Michael, I was REALLY looking forward to that record brush comparison that got sidetracked by...whatever all that lacquer hullabaloo was all about.

Will you be doing the record brush comparisons any time soon?

Michael Fremer's picture
It's coming up soon. Right now I'm out of the country....back Wednesday...so hopefully by the weekend...
miguelito's picture

Hi Michael. You’ve done a great deal of fabulous record cleaning methods/machines reviews. However, I am unclear as to what is your preferred method, both for new records and old and/or old and grimy. For example, do you use the Audio Desk with it’s fluid? No fluid? If using the Kirmuss method, do you put alcohol in the bath? All these details matter and I would love to see a writeup or video with your very own recommendations. Thank you for the great work!

RH's picture

Great, thanks Michael. I'll keep an eye out for it.

Anton D's picture
Anton D's picture

I am fiscally decimated by the current world.

I'd have paid 3 grand.

Same seems to happen with Hi Fi, maybe double decimated.

350,000 dollar records players, I wouldn't even strech to 1/10th that price. 3,500? yes.

750,000 dollar speakers? Would I go 75,000 for them? No. 7,500, if my wife OK'd it, I'd bite.

I'm not just off by half, I am off by two log factors!

JA2 has seen modern rock pass him by. The same has happened to modern Hi Fi, for me.

rich d's picture

I can't hope to compete with Anton D's comprehensive approach, and I've finally found a Brian Eno release that I won't (OK, can't) buy. What I can do, though, is point out that you've missed the one accessory which goes with nearly every kind of music and is compatible with a broad range of equipment: a bottle of Scotch. It's very much in the spirit (sorry) of the season. Lagavulin for me if anyone's feeling generous.

cundare's picture

You left out the most important accessory that any vinyl afficionado should own: A complete set of WAM Engineering's WallyTools (as well as WAM's microscopic cartridge evaluation / hardware-alignment-error-mitigation service). I know of no way to more effectively improve the sound of your rig for three figures.

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AnalogPlanet’s 2021 Holiday Gift Guide!

Finding gifts for record lovers can prove difficult: the hobby is uniquely personal, often expensive, and comes with the fear of what your gift recipient does and doesn’t already own. As the holidays rapidly approach, we’ve compiled a list of recommended budget turntables, phono preamps, record accessories, LPs, and books. These products are independently selected, and we’ve personally experienced every listed item (or a very similar previous iteration) listed.

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