Album Reviews

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Michael Fremer  |  Mar 01, 2010  |  0 comments

Icy cold vistas, shards of broken electronic glass, relentless thumping disco beats and possible mysteriously encrypted bits of dialogue may not sound like something that would be particularly inviting on a full range audio system, but somehow Fuck Buttons makes it so on this album of artificial mayhem and just plain noise.

Michael Fremer  |  Mar 01, 2010  |  0 comments

The first Blood, Sweat and Tears group led by Al Kooper and including his former Blues Project bandmate Steve Katz, was the sophisticated assemblage that produced but one album. This one.

Michael Fremer  |  Mar 01, 2010  |  0 comments

In the wake of Norah Jones’ smash debut Come Away With Me, Nellie McKay issued the Geoff Emerick produced double CD set Get Away From Me.

Michael Fremer  |  Mar 01, 2010  |  0 comments

Jim O’Rourke’s latest solo release, his first in nearly a decade, is a bold act in today’s dumbed down, sonically parched musical environment.

Michael Fremer  |  Mar 01, 2010  |  0 comments

Was this the greatest rock and roll concert recording ever as some suggest? Is it deserving of deluxe box set status? The producers of this ultra-sumptuous box obviously thought so!

Michael Fremer  |  Mar 01, 2010  |  0 comments

This album was issued back in 2008 but gets reviewed here because though the name Nada Surf has popped through my consciousness for years, I’d never heard them. I know, I can go online and listen and probably even steal all of their stuff for free but I’m not wired like that, so I actually went out and bought this album on vinyl without hearing a note.

Michael Fremer  |  Feb 01, 2010  |  0 comments

Villa-Lobos’s folk-oddity “The Little Train of the Caipira” from Bachianas Brasileiras No. 2 is a delightful, evocative piece of music, as colorful as the cover artwork and a sonic spectacular guaranteed to delight even the most classical music-averse audiophiles.

Michael Fremer  |  Feb 01, 2010  |  0 comments

(Corrected version: Elliot Easton is still with us. Ben Orr, unfortunately, passed away in 2000. I mistakenly said "the late Elliot Easton" in the original review. My apologies!)

Michael Fremer  |  Jan 01, 2010  |  1 comments

Some analog recordings shouldn�t be allowed be reissued on any digital format. There should be a law! You want to hear, say, Van Morrison�s rococo, acoustic/folk jazz masterpiece Astral Weeks?

Michael Fremer  |  Jan 01, 2010  |  0 comments

This is neither the time nor the place to extol the virtues of this classic album that has more than stood the test of time. You already know about it and perhaps own a copy or two. If you don't, then you can buy this new Capitol 180g reissue and be sure you have a competently produced, reasonably priced reissue, though clearly cut using a digital source that produces a record that's a thin, pale imitation when compared to earlier reissues.

Michael Fremer  |  Jan 01, 2010  |  0 comments

(Originally posted in 2006)
With the release of the second, third and fourth Fairport Convention albums on 180g vinyl, lovers of British folk and folk/rock who weren’t around when these records were issued on vinyl by A&M in America and Island in the UK, can hear the brilliance of both the group and John Wood’s sympathetic engineering as originally intended. CD simply can’t breath life into the late Sandy Denny’s voice. On vinyl she’ll take your breath away. (Originally posted in 2006)

Michael Fremer  |  Jan 01, 2010  |  0 comments

When Bob Dylan “plugged in” at Newport back in ’65 the legion of original fans went bonkers, jeering and booing, but Dylan persevered and his popularity grew as the much larger rock audience tuned in, thanks in part to covers by The Byrds on their first album.

Michael Fremer  |  Jan 01, 2010  |  0 comments

In his annotation, jazz critic/social commentator Nat Hentoff writes about this 1959 meeting between tenor sax legend Ben Webster and baritone sax smooth talker Gerry Mulligan: “It seems to me that even the most rash liner note writer has to pause before predicting the longevity of the session he’s assigned to introduce, but it requires neither courage nor obtuseness to underline the obvious likelihood that this one will be listened to as long as anyone cares about jazz.”

Michael Fremer  |  Jan 01, 2010  |  0 comments

The 36 year old Malian singer-songwriter Rokia Traoré, daughter of a globe-trotting diplomat, has been performing and recording for over a decade now. This, her third album from 2008, has only recently been released on double 180g vinyl.

Michael Fremer  |  Jan 01, 2010  |  0 comments

Elvis in the army meant no new albums or singles from the King so RCA producers raided the vaults to put together this album and A Date With Elvis (LPM-2011).

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