Album Reviews

Sort By:  Post Date TitlePublish Date
Michael Fremer  |  Sep 01, 2010  |  1 comments

Steve Earle’s dusty, gritty tribute to his late friend Townes Van Zandt issued last year is about what you can usually expect from “tribute” albums. The two met when Earle was still a kid and Van Zandt was already established.

Michael Fremer  |  Sep 01, 2010  |  0 comments

This 1957 set spotlights the obscure Chicago alto sax hard bop player John Jenkins who led but one Blue Note session and three altogether in his short recording career, which he ended in the early '60s. 

Michael Fremer  |  Sep 01, 2010  |  1 comments

The opener to this heavily produced album “We Belong Together” owes its existence to Bruce Springsteen, but most of the rest channels Laura Nyro.

Michael Fremer  |  Sep 01, 2010  |  1 comments

Drawn from a list of "100 Essential Country Songs" her dad penciled on a yellow legal pad after realizing that his young daughter didn't know any of what he considered to be part of his, and therefore her musical DNA, Roseanne Cash's The List is a full circle tribute to her father Johnny and her musical homecoming. It's an album the elder Cash would have been thrilled to hear.

Michael Fremer  |  Sep 01, 2010  |  2 comments

Equipped with John Mellencamp's then recently acquired vintage 1/4" reel-to-reel 1955 Ampex 601 mono tape recorder  and a pair of iconic 50's era RCA ribbon microphones ( a 77 DX and 44 used singly) presumably supplied by producer T-Bone Burnett, the duo, accompanied by Mellencamp's wife Elaine, who shot the album's cover photo, hit the road during a break in last summer's  Bob Dylan-John Mellencamp-Willie Nelson tour to record thirteen freshly penned songs Mr. Mellencamp had written over thirteen prolific days.

Mark Schlack  |  Aug 01, 2010  |  0 comments
Aretha Franklin’s escape from the squares at Columbia Records to become the Queen of Soul on groovy Atlantic is one of the great legends of popular music.

Think about it: Aretha Franklin, John Hammond and Jerry Wexler —three giants of music— all converge in one story. But do the facts support the legend? This album certainly gives pause.

Michael Fremer  |  Aug 01, 2010  |  1 comments

Sea Change, Beck's late-afternoon, mid-tempo reverie of an album, harkens back to the great old days of painstaking production, carefully drawn arrangements, and a concern for—and love of—sound and musical textures for their own sakes. Tempi are languid, notes are caressed, and gaping atmospheric spaces welcome listeners willing to be drawn in.

Michael Fremer  |  Jul 01, 2010  |  0 comments

Ian Anderson himself may wonder why people are still interested in Aqualung thirty-six years after it was first released&#151or maybe not. Though almost comically simple, the opening riff to the title cut is one of rock�s most ingenious and indelible. The contemplative album is packed with memorable melodies expressing anger, nostalgia, pity, regret, tenderness and contempt.

Michael Fremer  |  Jul 01, 2010  |  0 comments

World Music probably before there was such a term, this musical description of a dramatic, colorful Australian aboriginal dance ceremony told mostly with western classical musical conventions and instrumentation, though a ominous sounding primitive instrument called a bull roarer makes a dramatic appearance.

Michael Fremer  |  Jul 01, 2010  |  0 comments

Whatever "it" is, Welsh born 23 year old Duffy has it. If you're old enough to remember and were a fan of Lulu's "To Sir With Love,"  you'll love Duffy's surprising debut, co-produced by Suede guitarist Bernard Butler, who's had an extensive solo and collaborative career since the breakup of that '90's band, the very busy Jimmy Hogarth, producer of Susan Vega's excellent Beauty and Crime reviewed elsewhere on this site as well as co-producer of James Blunt's unfairly reviled debut album, among many others and Steve Booker. 

Greg Hill  |  Jul 01, 2010  |  0 comments

The Fleet Foxes are a new band from Seattle. Put aside any associations you might have with grungy histrionics. Imagine instead a small band of Blue Ridge mountain refugees spending a good long while in remote, lush forests where they smoothed away the rough edges and filigree notes of their musical forefathers while gathering up ideas from key times (the 60’s) and places (Laurel Canyon, rural England) to create their own, incantatory sound.

Michael Fremer  |  Jul 01, 2010  |  1 comments

Josie Cotton, best known for her “controversial” 1980 song “Johnny Are You Queer” that turned into a minor international phenomenon while outraging evangelical types and has a back story worthy of a mini-novel, returns with a high low-concept album. You can search the internet for the backstory and watch her perform the song on YouTube.

Michael Fremer  |  Jul 01, 2010  |  0 comments

The classic Phil Spector Christmas album is Sundazed’s holiday gift to us all. Mastered in glorious mono from the original mono master tape (while Phil didn’t do stereo the late Larry Levine, Gold Star Studio's premier engineer produced a very good stereo mix in the early 1970's).

Michael Fremer  |  Jul 01, 2010  |  1 comments

The Blue Note reissue explosion continues with these attractively packaged XRCD24s from Audio Wave. We’ve got two current purveyors of Blue Notes: Music Matters and Analogue Productions, each having gained access to different catalog titles.

Michael Fremer  |  Jul 01, 2010  |  1 comments

Perhaps had the dulcet-toned baritone Johnny Hartman lived beyond sixty (he passed away from lung cancer in 1983) he might have experienced a resurgence similar to Tony Bennett’s&#151not that Hartman was ever as popular as Bennett.

Pages

X