Album Reviews

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Michael Fremer  |  Aug 01, 2006  |  0 comments

Better late than never to discover this family of fanciful, faith-based music makers living in Clarksburg, New Jersey, a small hamlet located between Trenton and Point Pleasant on the New Jersey shore.

Michael Fremer  |  Aug 01, 2006  |  0 comments

Former Kinks frontman Ray Davies’ fans are among the most fan-atic in rock. I found out the hard way when I dared to post a less than fawning review of an Irving Plaza show I attended last spring on a Kinks fan newsgroup that I joined.

Michael Fremer  |  Aug 01, 2006  |  0 comments

I think there’s a recent interview with these guys online but I don’t want to read it. The less I know the better.

Michael Fremer  |  Aug 01, 2006  |  0 comments

This album of analog (or analog sounding) bleeps, blops and buzzes, backed by a drum track apparently created from real skins by Mr. Hebden, has an organic, hypnotic, soothing quality that many will find attractive.

Michael Fremer  |  Jul 03, 2006  |  0 comments

True to the label’s intentions and name, Zane Musa is a muscular-toned, “straight ahead” alto sax bopper, accompanied on this superb sounding disc by like-minded Southern California jazz musicians on a set of well worn but always comfortable jazz standards.

Michael Fremer  |  Jul 01, 2006  |  0 comments

Whether covering Robert Johnson, Joni Mitchell, Hank Williams or The Monkees (Boyce and Hart), Cassandra Wilson’s sultry, commanding voice has always worked effectively set against spare, moody backdrops.

Michael Fremer  |  Jul 01, 2006  |  0 comments

Spirit’s 1971 release The 12 Dreams of Doctor Sardonicus (Epic E30267) may be the best Spirit album, and one of the finest albums of the psychedelic and post-psychedelic era, but this, the band’s debut, recorded in 1967, falls not far behind and holds up remarkably well for many reasons.

Michael Fremer  |  Jul 01, 2006  |  0 comments

Never mind that the tape has some occasional serious dropout, never mind that the legendary performance of the title track “One Down, One Up” commences mid way through the tune during a Jimmy Garrison bass solo, never mind that these performances are station dubs from live radio broadcasts, never mind Alan Grant’s radio announcements sprinkled throughout, and never mind that this treasure trove is probably not in the same league historically as the Thelonious Monk/John Coltrane Carnegie Hall concert unearthed at the National Archives and issued by Mosaic on vinyl recently (MQ1-231).

Michael Fremer  |  Jul 01, 2006  |  1 comments

At first, the lingering melodies and stick-to-the-synapses catch phrases don’t seem to reach out and grab you like they do on older Steely Dan albums, but the grooves are deeper and more elastic here than ever and Fagen’s arranging abilities remain crisp, inventive and instantly recognizable even if you don’t take time out to analyze what’s going on to make them seem so familiar.

Michael Fremer  |  Jul 01, 2006  |  0 comments

This most popular of Green Day albums, a swell kiss off to Bush and his rogue administration is now so old it’s grown whiskers, but it hasn’t lost any of its punch. In fact, cut to wax it intensifies into a category five musical and political hurricane.

Michael Fremer  |  Jul 01, 2006  |  0 comments

The Irish folk/pop singer Mary Black, a genuine superstar at home, has built a worldwide following on the strength of her mesmerizing, crystal clear voice and an uncanny ability to wring every drop of meaning from the lyrics she interprets.

Michael Fremer  |  Jun 01, 2006  |  0 comments

The latest Sigur Rós album is yet another soundtrack to an imaginary movie you’re asked to create in your own head. The swelling orchestral resolves mostly corral you into thinking goodness and heavenly inspiration with singer "Jonsi"’s high pitched child-like (and sometimes cat-like) vocals sung either in a language of his invention and on some tracks for the first time actual Icelandic, making it easier for your personal invention as you’ll have no idea what he singing about. Not that it matters. The group’s music wears its mostly uplifting emotional heart on its sleeves.

Michael Fremer  |  Jun 01, 2006  |  1 comments

Clearaudio couldn't have gone into the record business to provide software support for its line of turntables. There’s no shortage of new vinyl in 2006. Perhaps the album’s producer is a friend.

Mike McGill  |  May 02, 2006  |  0 comments

Well, is the uber-buzz justified? Fastest-selling debut album; Greatest band since the Beatles, number 287 in a series (collect ‘em all)?

Michael Fremer  |  May 02, 2006  |  1 comments

Yes, Clapton, Bruce and Baker have gotten older. Face it, they’ve gotten old as have those of us who’ve been Cream fans since they were called “The Cream” on the first album jacket. And face it, youth be served, they haven’t the raw power they once had.

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