What better way to enter the impending summer season than with the second 2024 installment of our ongoing Table Toppers series? Back in late 2023, we posed a simple question to you, the AP faithful — in short, quote, “show us your turntables!” And hence, the almighty Table Toppers section was born, and we’re more than happy to continue on with this popular series as we approach the midpoint of the year. Read on to see how Dave Millon of Royal Oak, Michigan recovered from a devastating gear loss and wound up centering his system around a coolly restored Thorens TD 124 turntable — along with some VPI TNT tables to boot. . .
A young reader inherited a turntable and asked about a modestly priced system he could assemble around it. We know where this will lead and we can all cheer him on, mindful of the fun and fetishing to follow. And we can all sympathize with his bank account—assuming he has one!
Cassette tapes are in the midst of enjoying a major comeback — and perhaps it has been a somewhat unexpected development, at least to some. Read Leslie Shapiro’s insightful feature on the history of the longtime leading cassette manufacturer Maxell, the true origins of the infamous Blown-Away Guy, and the bigger-picture reasons for why the cassette format lives on (and on). . .
The Sl-1200G review will post shortly. Meantime, here's a comparison between it and the Continuum Caliburn fitted with the SAT arm, both fitted with a Lyra Etna cartridge.
Ed. note: In light of Bob Dylan's recent Rolling Stone interview in which he championed vinyl and complained both about CDs and modern recorded sound, we thought it appropriate to bring this to the home page yet again:
Back in 1994, ten years into the "digital revolution," the editor of Tower Records's "Pulse" magazine, bravely commissioned me to write an article expressing my feelings about digital sound, ten years after the introduction of the compact disc. It was published in "Pulse!" much to my delight. I thought you might find it interesting in 2005--MF
Friday night at this year's Blues Masters at the Crossroads in Chad Kassem's Blue Heaven Studios featured emcee and blues veteran Doug MacLeod and an outstanding talent lineup: Jontavious Willis, Marquise Knox, Lucky Peterson, Alabama Slim and Robert Finley.
I honestly suck at keeping up on new music. Sure, I’m shoving out another mostly negative Review Explosion every three weeks when some artist past their prime pushes out another hour of dreck (or when Earl releases a stupidly annoying, half-baked 15 minute “album”) but I still don’t feel that I spend enough time covering what actually matters. As in, what’s actually good and worth talking about. Unfortunately, one music critic with their own taste and near-daily spins of IGOR can only do so much; no matter how hard I work, there are always a dozen supposedly great albums that I’ve fallen behind on even hearing.
Meet our newest reviewer, 17 year old Caleb Attaway. Caleb lives northwest of Atlanta, Georgia and is going into his senior year of high school at Living Science Home Studies, Inc., which is half home school and half private school. In the future Caleb will review records and new audio gear.
79 year old Beverly "Guitar" Watkins, unknown to most in the audience, puts on a fiery, funky and fierce standing ovation hour-long performance on the first night of Chad Kassem's "Blues at the Crossroads" Blues Festival Friday October 26th.
Every year, EISA, the Expert Imaging and Sound Association, gives out Hi-Fi awards for the very best gear on the market in a wide range of product categories, as voted upon by their Expert Group members. Read on to see what analog-centric gear garnered EISA 2024-2025 awards, and why. . .
There was a great deal of excitement a few months ago when Toshiba-EMI announced a new series of Beatles albums. The 1970’s EAS series from the label are considered by most collectors to be among the best sounding Beatles albums issued anywhere, but a ‘90’s series issued by the label, and cut from digital masters was expensive and sounded brittle and uninviting, though as usual, the packaging was sumptuous and the pressing quality was pristine.
How bad were the original Beatles CDs issued back in 1987? So bad that even the clueless conditioned to believe that CDs represented an automatic sonic step up from vinyl noticed something was terribly wrong.
Amusing to some observers was the nature of the complaints: “they sound tinny,” “they sound flat,” “they sound thin and bright,” “they’re harsh and edgy,” “where’s the warmth?” etc.
Dry dusting records before play is critical for both stylus and record longevity. New records come out of the jacket dusty because they are pressed in relatively dusty environments and in some cases spend a great deal of time stacked on spindles before being packed.
It was January 20, 1965. The "British Invasion" was at its apex. Led by The Beatles, English rock bands dominated the American airwaves. Meanwhile, with little fanfare, a newly formed aggregation called The Byrds was working ardently on their first (and possibly last) single for Columbia Records. As was standard record company practice back then, the Byrds' contract called for one single. If it was successful, an entire album would be commissioned. Otherwise it would be bye-bye Byrdies.