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Mike Mettler  |  Dec 01, 2022  |  5 comments

Christine McVie, vocalist/keyboardist and one of the principal songwriters in Fleetwood Mac, passed away in her native England yesterday, November 30, at age 79, following a brief illness. McVie — who made her initial impact on Britain’s blues-centric concert and recording circuit in the late 1960s under her given name, Christine Perfect — was perhaps best known for chart-ready singalong Fleetwood Mac hits like “Don’t Stop,” “Little Lies,” and “Over My Head,” but her musical legacy runs much, much deeper than that. It seems only fitting that we here at AnalogPlanet salute such a stellar six-decade recording and performing career with highlights of McVie’s work on vinyl — some, if not many LPs and 45s of which are likely in your own collections. Read on to get our take on the legacy of this truly unique songbird on LP. . .

Joseph W. Washek  |  Mar 18, 2021  |  18 comments
On December 9, 2010 at about 11:30 pm, I was standing in front of Johnny D’s, a now defunct and demolished Somerville, Massachusetts club, alone with Bert Jansch who about an hour earlier had finished an hour plus set. It was cold, in the twenties and sleet was becoming snow. Bert was holding his guitar, uncased, by the neck in his right hand.

Joseph W. Washek  |  Apr 26, 2021  |  9 comments
Etta James was in the heartbreak business. Other singers sold sweet dreams of love, romance, and sex, but Etta James sold pain and she had an endless supply. The pain started early. She never knew who her father was. When she was born, her mother who was fourteen, abandoned her, leaving her with a childless older couple. The woman, called “Mama Lu” by Etta, became her surrogate mother, and she was loved and spoiled by her and they lived happily. But not ever after, because all was not well and never would be. Periodically, her birth mother, Dorothy, who loved the night life, would appear and take the child away. It was always the same. They would live in squalor until a few weeks passed and then, bored and frustrated with parenthood, Dorothy would return Etta to Mama Lu. The pattern continued until Etta was twelve when Mama Lu died. Dorothy appeared, told Etta that she would be living with her now, and took her to San Francisco. There, Dorothy met her brother on a street corner, left Etta with him, and walked away.

Joseph W. Washek  |  Jun 22, 2021  |  12 comments
In June 2020, Analog Planet published my article on the great audio engineer, David Jones’ Living Legends Riverside recordings of Black Traditional Jazz in New Orleans during the last week of January 1961. While researching the article, by checking records in my collection I compiled a list of Riverside albums for which Jones had been credited or co-credited as engineer.

Joseph W. Washek  |  Feb 19, 2021  |  4 comments
Tracy Nelson is such a great singer that you have to wonder why she never became a major, “you still hear her on the radio” star. Her deep, powerful, soulful voice is instantly recognizable whether she is singing, rock, country, r&b or blues. The usual vocal comparison is to Janis Joplin, which I’m sure Ms. Nelson got tired of hearing by the late 60s or sooner, but I’d say Nelson, while lacking the Joplin charisma, is a more subtle and technically, a better singer.

Joseph W. Washek  |  Feb 19, 2021  |  10 comments
When Chet Baker died in 1988, he wasn’t an icon of “cool,” he was a has-been. The biopic with the Hollywood star and the consistent ranking among the top-selling jazz CDs on Amazon was far in the future and long after he was gone. The New York Times obit was perfunctory, misstated his age, and devoted two sentences to his career post-1950s. Baker, in the 1980s, had been the same unrepentant, narco-ssistic junkie mess that he had been since the mid 1950s, but he was working in Europe, playing mostly small clubs, driving from gig to gig, and sleeping on couches instead of the way it had been in the ’50s in the U.S.—playing concert tours, fielding movie offers, topping the jazz polls and charts, his popularity making even Miles Davis jealous.

Joseph W. Washek  |  Jul 23, 2021  |  0 comments
On March 6, 1961, world-class tenor saxophonist and vibes player Tubby Hayes (1935-1973) regarded as the finest musician on the British modern jazz scene signed a contract to record for the U.K. Fontana label. He had previously recorded for small jazz specialist label Tempo. Though the new contract didn’t provide for an advance or a money guarantee, Fontana was a major label that issued all types of recordings and could provide for his records better distribution and promotion including possible U.S. distribution. Hayes was the first bop generation British musician awarded a major label contract. Hard as it may be to imagine today, the signing was not only jazz news, but major music news worth of a “Melody Maker” cover story.

Leslie Shapiro  |  Jan 27, 2025  |  0 comments

There’s a whisper in the world of audiophiles, a spinning rumble that digital audio is out, and analog is back in a big way. Amongst the spinning of vinyl and the hum of tube amps, another important analog medium is rolling out of the past and right into the hearts of the modern-day sound purist — the reel-to-reel tape player. Read Part 1 of Leslie Shapiro’s in-depth reel-to-reel report to learn more about the history of this important analog format. . .

Leslie Shapiro  |  Jan 28, 2025  |  27 comments

In a world of endless Spotify playlists and 24-bit streaming, why are people flocking back to reel-to-reel players and tapes, a format invented nearly a century ago? Read Part 2 of Leslie Shapiro’s insider series (featuring Revox, Ballfinger, Metaxas & Sins, Recording The Masters, and more) to find out exactly why reel-to-reel remains as vital as ever. . .

Michael Fremer  |  Oct 28, 2016  |  73 comments
You don’t have to be Phil Spector or Brian Wilson to appreciate mono sound, as anyone who’s purchased the recent mono Beatles box can attest. When these records were originally produced, they were meant to be heard in mono both because they were played on the AM radio, which was mono and because the young people buying the music mostly had monophonic record players. Plus that is how The Rolling Stones wanted to be heard, which is the most important reason of all.

Michael Fremer  |  Jul 23, 2015  |  29 comments
Finally, here's the second part of the Roxy Music box set review. Read Part One here.

Willie Luncheonette  |  Jan 08, 2022  |  31 comments
Punk rock is a subgenre of rock and roll with roots in garage rock, but it's generally faster and more aggressive than garage. Punk was a rebellion against the hippie culture's idealism and appearance. The flower children’s righteous idea of making the world a better place was met with the stark reality of the punks' world in disarray. New York, the birthplace of punk, was almost bankrupt in the early 70's and when the Sex Pistols appeared in England, unemployment was severe with well over a million people out of work. Crime and drugs were rampant in NYC; parks were littered with used syringes. England incurred inflation, oil shortages and strikes. So bell bottoms were out, replaced by tight pants and those beautiful long locks were gone, replaced by hair cut short, and even cut off as skinhead culture emerged.

Malachi Lui  |  Sep 30, 2021  |  15 comments
Two years ago, I wrote a feature about the worst music ever, saying, “Some [bad music] is so awful that we can’t help but listen and laugh.” Our readers agreed. Of course, I left the initial list incomplete; there’s too much (mostly) hilariously awful music to consume it all at once. Now, I’ll torture myself (inviting you to join in) with more sonic excrement, excluding material I’ve previously reviewed. Let the fun resume!

Malachi Lui  |  Oct 02, 2019  |  84 comments
Bad music. We generally try to avoid it, but some is so awful that we just can’t help but listen and laugh. Typically, artists who are self-indulgent, high out of their minds, trying to be profound, and/or unaware of their skill (or drug consumption) limits create the worst music. For my monthly AnalogPlanet playlist feature, I’ve compiled for your pleasure a list of the worst music in the history of mankind. Since some of this music is only available on certain streaming platforms, I’ve included underneath each individual song or album a streaming link. It’s also worth noting the list’s strategic structure: as you keep reading the music gets worse. Read at your own risk, but if you’re willing to subject yourself to the final entry (what I believe to be the absolute worst album ever created by anybody), I guarantee you will have a good laugh. Anyway, let’s get your suffering over with and begin the proceedings right away…

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