Album Reviews

Spoon returns with a more stripped down, rhythmic groove-of-a-set compared to the more heavily produced and subtle Kill the Moonlight.

Dept. of Corrections: Due to a miscommunication between myself and Speakers Corner's Kai Seeman, I was led to believe this lush, yet detailed reissue was the first to be mastered by Maarten DeBoer, after the retirement of Willem Makkee at the newly refurbished Berliner Mastering facility in Hanover, Germany.

The prospect of reviewing a new album by Nick Lowe is both exciting and daunting. How do you fairly encapsulate a new release from a man whose reputation is etched into the music history books via his many classic LPs and production work that arguably helped shape the sound of the late-’70s and early ’80s new-wave movement? Well, when you produce an album that sounds as good as Lowe’s new Indoor Safari LP does, it’s less daunting to review a record that can stand proudly alongside his legacy creations. Read Mark Smotroff’s review to see why Indoor Safari — which also happens to be “powered by” Lowe’s current tourmates, Los Straitjackets — belongs on your turntable today. . .

It’s difficult to believe this November 18th, 1993 Sony Music Studios performance is almost seventeen years old. Though it aired on MTV a month later, it wasn’t issued on vinyl or CD until November 1st, 1994, six months after Kurt Cobain’s suicide.

Icy cold vistas, shards of broken electronic glass, relentless thumping disco beats and possible mysteriously encrypted bits of dialogue may not sound like something that would be particularly inviting on a full range audio system, but somehow Fuck Buttons makes it so on this album of artificial mayhem and just plain noise.