Album Reviews

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Michael Fremer  |  Jul 18, 2017  |  6 comments
The new reissue record label Run Out Groove recently launched with a limited to 2668 copy edition of a gloriously noisy, high energy MC5 compilation sourced from the group's Elektra and Atlantic catalogues. The Detroit-based group (The Motor City Five), which made music that was an invigorating amalgam of garage rock, punk rock and blues with a hint of progressive jazz thrown in, released but three full length albums during its less than a decade long run.

Michael Fremer  |  May 01, 2006  |  0 comments

Only in retrospect do you realize how much The Guess Who’s sound drew from Creedence Clearwater Revival. That’s fine, because only in retrospect do you realize how much of what sounded new and unique when you were immersed in it, was really formulaic and sometimes trite.

Michael Fremer  |  Sep 01, 2007  |  0 comments

This "wind-em-up-and let-'em-play" set from September of 1963 has Jimmy Smith playing thick, juicy Hammond B-3 and Wes Montgomery blocking citrus-y chords and cool runs up and down the fretboard backed by brash, horn-drenched Oliver Nelson arrangements.

Evan Toth  |  Apr 26, 2021  |  2 comments
Here's one you might have missed along the way: an authentic, late-70s, unsung heavy-hitter of rock and roll medley in the Memphis vein of Big Star and Ardent studios. What if I said that this musician was in fact a peer of Big Star and even briefly had his own group with Chris Bell and Jody Stephens? What if I could characterize the music as a hybrid of Big Star, Emmitt Rhodes and Todd Rundgren, yet also have its own unique sonic quality? Sound too good to be true? Keep reading, it gets even better.

Nathan Zeller  |  Jan 31, 2022  |  12 comments
We know that relationships dictate our life’s outcome. However, what isn’t obvious is the way relationships exist not only between people, but also within and beyond them. Singer-songwriter Lana Del Rey fortunately knows this well, though now more than ever she understands their utility. On Lana Del Rey’s second 2021 album, Blue Banisters, she proves that intrapersonal, environmental, and especially interpersonal relationships all teach valuable lessons promoting future wellness.

Michael Fremer  |  Mar 05, 2022  |  4 comments
Surfacing on Nonesuch with Ghost Song, a personal, highly introspective album that intersperses covers and seven originals in service of a cautionary look at love and love lost, the always unpredictable Cécile McLorin Salvant dispenses for the most part with standard jazz backing, replacing it with imaginative instrumentation and ear-catching production techniques more reminiscent of a rock album, to deliver a series of fanciful mind flights sure to delight longtime fans and win her new ones.

Nathan Zeller  |  Feb 27, 2021  |  5 comments
The music of Foo Fighters is never a far cry from the band’s influences. That’s true with their 2021 release, Medicine At Midnight: an album that throws into a melting pot their rock tendencies, disco roots, and funk fascinations. If this sounds interesting to you, that’s because it is.

Michael Fremer  |  May 23, 2020  |  2 comments
Tucson Arizona-based minimalist synth, guitar and drum duo Trees Speak (with help from friends) released a limited to 100 edition white label 45 rpm single that quickly sold out. The story goes the action caught the attention of the U.K. based Soul Jazz Records label, which originally specialized in reggae, ska, dub and soul and later expanded its reach to include “world music”, mostly sourced from Africa and Brazil. More recently the label increased its reach to include electronica, which is probably how this duo’s full length album of minimalist, cinematic collages got a Soul Jazz release.

Malachi Lui  |  Mar 16, 2022  |  8 comments
Following a snooze-inducing headlining performance (based on the recording) at the 2000 Glastonbury Festival, David Bowie and his band (guitarist Earl Slick, bassist Gail Ann Dorsey, pianist Mike Garson, drummer Sterling Campbell, and musician/producer Mark Plati) entered New York’s Sear Sound to re-record his early, mostly pre-Space Oddity catalog highlights. Bowie intended the quickly recorded result, Toy, as a surprise release, though in 2001 the financially struggling Virgin/EMI balked at the idea and eventually rejected the album altogether. For the following year’s Heathen, Bowie signed to Columbia and left uncertain Toy’s future. Leaked in 2011 and recently officially released by his estate and Parlophone, Toy now has its proper place in his studio discography. Yet, is it worthy of its legendary—and in some circles, almost mythical—status?

Michael Fremer  |  Aug 09, 2021  |  81 comments
When George Harrison, the youngest Beatle, passed away November 30th, 2001 at age 58, Allan Kozinn’s front page New York Times obituary referred to him as “the quiet Beatle”, which during the group’s touring years, is what the self-effacing youngest member of group was often called.

Michael Fremer  |  May 01, 2010  |  0 comments

This very limited double 45rpm set should have sold out within weeks of its release but that probably didn’t happen.

Michael Fremer  |  Jun 29, 2003  |  1 comments

Song Cycle dominates the Van Dyke Parks discography the way "Citizen Kane" overshadows Orson Welles' cinematic output. That simply cannot be denied, though Welles created other outstanding films- "The Magnificent Ambersons" and "Touch Of Evil" for example.

Michael Fremer  |  May 03, 2017  |  7 comments
While a great deal of attention rightly gets paid to Bill Evans' legendary Village Vanguard recordings early in his career, this superb set recorded in Paris, France shortly before his passing is equally worthy both musically and sonically.

Michael Fremer  |  Apr 01, 2008  |  0 comments

Lovers of chamber music in general and Heifetz in particular, will find this “Living Stereo” oddity from 1961 a sonic and musical treasure. “Oddity” because it’s an album pieced together from two studio recordings made at either side of “the pond.”

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