Album Reviews

Recorded at L.A.’s famed United Recorders June 6th and 12th 1963 and arranged by Gerald Wilson (Anthony’s dad) for the spare and daring combo of organ, trumpet, tenor sax and drums, this Sarah Vaughan set of mostly familiar standards will confound your expectations with every note.

Not having to include picture with sound gave the compilers of this 4 LP box set latitude Martin Scorsese did not have when he made his Dylan bio No Direction Home: The Soundtrack.

Your decision as to whether you need the second volume in the 1950s trilogy of recorded collaborations between Ella Fitzgerald and Louis Armstrong — October 1957’s Ella And Louis Again — may depend on how much of a fan you are of the Great American Songbook and vocal jazz in general. Read on to see if this 180g 2LP offering from Verve and Acoustic Sounds whets the audiophile palate. . .

You won’t be buying these two LPs for their sonics. Primitive television show soundtracks from a Compton, California based local program recorded before an appreciative live audience, provide listeners with a “way back machine” glimpse of another time, and seemingly another universe—especially when you consider the music for which Compton’s currently best known.

Today’s mainstream artists face an originality problem, one which many musicians feel no desire to solve— though there are some current exceptions including Jacob Collier, Kendrick Lamar, and Vulfpeck. Few lack the passion required to create something that is truly their own, but among those who do is 22 year-old Canadian Shawn Mendes—one of five under-the-age-of-18 artists in Billboard album chart history to debut at #1. On Wonder, his latest album, Mendes chases that very passion.