The opening track to Starsailor’s sophomore long-player, Silence Is Easy claims “Music Was Saved”. I won’t go so far as to take that totally to heart, but at times, and in some ways, the album makes me feel that way. There is a special sense of camaraderie, and yes, salvation throughout the proceedings, that leaves one feeling buoyant, liberated and cleansed—and it has less to do with musicianship or sonic appeal, and more to do with the songs themselves.
Aja is the fourth (and first non-sequential) entry in Analogue Productions' comprehensive 200g 45rpm 2LP Steely Dan UHQR reissue series — and it’s possibly the most anticipated of them all. Does the UHQR edition of Aja stack up favorably with and/or sound better than the previous LP editions from the label likes of ABC, Mobile Fidelity, and Cisco? Read AP editor Mike Mettler’s in-depth review to find out if the Aja UHQR is worth every bit of those cool 1,500 dime dances it’ll run you tp pick it up (a.k.a. $150, in normal dollars parlance). . .
Pretzel Logic, the third entry in Analogue Productions' comprehensive all-analog 200g 45rpm 2LP Steely Dan UHQR reissue series, is indeed a bit of a different sonic animal than its predecessors, Can’t Buy a Thrill and Countdown to Ecstasy. That’s due in no small part to SD co-founders Walter Becker and Donald Fagen wanting the album to have more of a first-call studio musician feel to it overall. Read AP editor Mike Mettler’s in-depth review to find out if the Pretzel Logic UHQR is the kind of record you want on your phonograph. . .
Can we call it Countdown to Excellence? To wit: Does Countdown to Ecstasy, the second entry in Analogue Productions' comprehensive all-analog 200g 2LP Steely Dan UHQR series, up the ante on the standard they’ve already set with last fall’s inaugural release, Can’t Buy A Thrill? Read Mike Mettler’s in-depth, 2,500-word review to find out. . .
Geffen/UMe has just released a new 180g 1LP version of Steely Dan’s sophomore album, July 1973’s Countdown to Ecstasy. Read our intrepid reviewer Mark Smotroff’s take on this new-to-2023 version of Ecstasy and how it compares to an original 1973 black-label copy as well as the album’s vintage quad edition. . .
Steely Dan’s November 1972 debut release Can’t Buy A Thrill has often been overlooked in the wake of the band’s later, mega-impactful hit albums like September 1977’s Aja and November 1980’s Gaucho. But the reality is, the template for the Steely Dan sound was born in full flower on their first album, and is thus ground zero for understanding and appreciating the trajectory of the band. Read on to find out how just good this new 180g 1LP Geffen/UMe standard-edition reissue sounds in relation to a 1970s pressing, and how well it bodes for the concurrent UHQR 20g 1LP version from Analogue Productions we’ll be reviewing here next week. . .
Steely Dan and UMe have thrown fans of the band’s music some interesting choices when it comes to their current vinyl reissue series. We all know about the pricier, concurrent AAA UHQR editions from Analogue Productions that all have an admittedly steeper entry fee, but the hard reality is many of us can only afford the standard 180g 1LP editions being released under the Geffen/UMe label banner. What’s a budget-minded, audiophile-leaning Steely Dan fan to do? Read Mark Smotroff’s review of the new Geffen/UMe version of Pretzel Logic to see if it’s the right edition for you. . .
Bluegrass non-traditionalists Steep Canyon Rangers recently released this, the group's 12th album, without part time "front man" Steve Martin but with producer Joe Henry helming an exquisitely conceived and executed set of modern originals (plus one Bob Dylan cover) that preserves the traditional bluegrass sound while moving the genre into the contemporary musical world.
Bassist, group leader and composer Stephan Crump assembled Rhombal, a two-horn, bass and drums quartet to explore a series of compositions he’d written for his late brother. “…it’s a commemoration of a death well-confronted, of a spiritual evolution I witnessed in my brother during out last days together, and of how close we left each other after what had been, for many years, a very troubled relationship.”
Maybe you kicked yourself for not buying Steve Hoffman’s outstanding re-mastering of The All Tme Greatest Hits of Roy Oribison issued by DCC Compact Classics almost a decade ago. Maybe you didn’t have a turntable back then. Or maybe you have a copy of that limited edition release and you think it is now gaining value.It's not, now that this edition is about to be released.
With a nod to the Hank Williams tune of the same name (which also was the name of a book Earle authored), this Steve Earle album released last spring is a collection of songs dealing mostly with mortality, keying off of his father’s passing.
I’ll throw my two cents into the “greatest rock vocalists” ring: Steve Marriott. He’s the one for me. His work with the original Small Faces stands above all else, but later Marriott joined Peter Frampton and the two formed Humble Pie with bassist Greg Ridley and drummer Jerry Shirley.
Why has the blues been banished from popular music? Probably because young people today don’t have the blues. For one thing they seem generally more happy and well-adjusted than previous generations—certainly in matters of sex, though recently a youngster who couldn’t get any indulged his self-pity with a mass shooting. Perhaps had he learned to sing or even listen to the blues, some soothing could have stopped him.
It’s hard to believe 22 years have passed since this now classic set was released and almost 16 since Vaughan died in a helicopter crash following a concert in which he appeared with guitar greats Buddy Guy, Eric Clapton, Robert Cray and his brother Jimmie.
Caught in 1972 between The Beatles and Byrds pop/folk undertow and too early to catch the indie rock wave pioneered by bands like REM later in the decade, commercial failure was all but assured for Big Star, aided by what many at the time considered was a bad Memphis, TN based record company roll out with spotty distribution and less than stellar promotion.