I’m not comfortable writing about classical music. I’m not an expert, and I can’t tell you how this performance of Schumann’s music compares to others. According to the liner notes Mr. Lill is a world-class concert performer who has toured with the London Symphony Orchestra, the London Philharmonic, the City of Birmingham Symphony and many others, and performed with the New York Philharmonic and more than a dozen others. He was the joint winner of the prestigious Moscow International Tchaikovsky Competition in 1970.
You needn't speak Icelandic to appreciate and absorb the primal purity and almost unbearable innocent beauty created by this electronica driven quartet. In fact, speaking the group's native tongue wouldn't help at all since vocalist Jonsi Thor Birgisson's lyrics are in a language of his own invention.
You needn't speak Icelandic to appreciate and absorb the primal purity and almost unbearable innocent beauty created by this electronica driven quartet. In fact, speaking the group's native tongue wouldn't help at all since vocalist Jonsi Thor Birgisson's lyrics are in a language of his own invention.
If it’s the holidays and we’re talking holiday-centric vinyl, then we should also be talking about Vince Guaraldi and his indelible work for the Peanuts animation franchise. To kick off the holiday season right, LMFP is serving up the first ever vinyl edition of A Charlie Brown Thanksgiving in celebration of the TV special’s 50th anniversary. Read Mark Smotroff’s review to see if the new 180g 1LP edition of A Charlie Brown Thanksgiving should be cued up alongside your turkey, stuffing, mashed potatoes, and/or whatever else is on your festive table. . .
For a long time now, we’ve had the feeling there were seemingly a bazillion different versions of Vince Guaraldi’s beloved jazz soundtrack to the timeless “A Charlie Brown Christmas” 1965 TV special out there in the wilds of record collecting. Thus, we were quite excited to learn of the new, audiophile-leaning black vinyl 180g 2LP edition of “A Charlie Brown Christmas” — now in stores and very much in time for holiday gift giving, courtesy Fantasy/Craft Recordings — to hopefully provide us all with some higher-fidelity LP solace. Read Mark Smotroff’s review to see if this new, expanded 2LP edition of “A Charlie Brown Christmas” is worthy of getting for those on your gift list — and/or, in the spirit of the season, also get one for yourself. . .
How rare and collectible is this record? A mint original sold for $678.00 back in 2004. I doubt it sounds as good as this double 45rpm reissue but I can’t be sure since I don’t have one.
If you'd have told me a few years ago when Vinyl Me, Please launched, that within a few years the curated based vinyl subscription service would be at the top of the vinyl reissue heap, I'd have said you've been inhaling too many PVC fumes. But here we are with a vinyl reissue that's perfect in every way.
Buddy Guy’s 1967 Chess release—his first— has nothing to do with San Francisco, nor was it recorded July of 1967 though the jacket says it was. No big deal. Someone (probably Leonard Chess) chose to reference San Francisco because “flower power” was happening and it seemed like a good way to grab the white kids’ interest. The recording date was chosen close to the original release date so it would sound current but in fact, this is a compilation that includes tracks recorded between 1962 and 1967.
(Vinyl Reports is an AnalogPlanet feature aiming to create a definitive guide to vinyl LPs. Here, we talk about sound quality, LP packaging, music, and the overarching vinyl experience.)
(Review Explosion is a recurring AnalogPlanet feature covering recent releases for which we either don’t have sufficient time to fully explore, or that are not worthy of it. Curated by AnalogPlanet contributing editor Malachi Lui, Review Explosion focuses on the previous few months’ new releases.)
Trying to describe in simple words the sound and scale of a beautifully crafted new progressive rock work from a multi-disciplinary composer presents a number of journalistic challenges — but we’re up to the task. The work in question is a new 2LP deluxe box set by Armenian pianist Tigran Hamasyan titled The Bird of a Thousand Voices, which is both eye and ear popping in its presentation and sonic execution. Read Mark Smotroff’s review to see how and why both discs of The Bird of a Thousand Voices are worthy of many multiple spins. . .
The late Rick Griffin's mischievous rodent cover art isn't the only retro aspect of this prog-rock/jazz fusion recording debut by a group that's been together for more than a decade. (Griffin is best known for his Grateful Dead work including the Aoxomoxoa cover).
If you go for Waits’s “Louis Armstrong meets Screamin’ Jay Hawkins meets Captain Beefheart” blues/jazzbo thing, obtaining it live or recorded live is probably as pure as it gets and arguably the best way to consume an artist energized by the crowd’s adulation and an adept touring backup band capable of creating thick, churning atmospherics.
To live as the non-English speaking world experiences our pop music, you might try this record of familiar Leonard Cohen songs sung in Swedish by Jan Erik Lundqvist. So popular are Mr. Lundqvist’s interpretations that he’s put out two volumes. This first one dates from 2002, which Meyer records reissuing it on 180 gram vinyl more recently. Leonard Cohen apparently approves.
In 1972, Stax Records — the influential Memphis-based label that brought the likes of Otis Redding, Booker T. & The M.G.s, and Albert King to the world — recognized the need for a large-scale, highly visible public event to help heal America’s fractured African American communities. Craft Recordings, the current owners of Stax’s tracks, has seen fit to honor the gamechanging event that was duly dubbed Wattstax with a fantastic 50th anniversary reissue series, the jewels of which are a pair of timely analog-mastered gems: Wattstax: The Living Word and The Living Word: Wattstax 2. Get into the Wattstax groove by reading Mark Smotroff’s review of both of these fine 140g 2LP collections. . .
“Do we really need yet another version of Patricia Barber’s café blue? was my reaction upon hearing about IMPEX Records’ new $125 “One-Step” edition of this more than a quarter century old (1994) Premonition release.