Album Reviews

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Michael Fremer  |  Feb 01, 2012  |  2 comments

The winner is physicist Richard Horton, in Huntsville, Alabama. Yes, a scientist who prefers vinyl! And here are the winning answers:

Michael Fremer  |  Aug 01, 2007  |  0 comments

As with back jacket credits of UK-based Pure Pleasure’s 180g vinyl release ofMississippi John Hurt Today! (http://www.musicangle.com/album.php?id=461), this Vanguard reissue erroneously claims to have been sourced from a CD. If you’re going to do that, why bother having Kevin Gray cut lacquers at AcousTech when you can have it done much closer to home and probably at lower cost?

Nathan Zeller  |  Mar 31, 2021  |  2 comments
I remember a time when a friend would visit weekly, and we’d gather around a laptop and sing songs. While our musical tastes were usually in synch, there would always be a tune or two that made one of us frown. Consequently, I ended up learning a lot about his musical tastes, as I’m sure he did of mine. One night, after singing “All My Loving” for the umpteenth time (this is when my Beatles obsession began), he queued a song from Weezer— a band I had never before heard of. I can’t recall the name of the song, but I politely smiled through it, readying my dismissal of the group.

Michael Fremer  |  Aug 19, 2013  |  5 comments
Only side one was actually recorded live at New York's now shuttered Half Note back in June of 1965; the other side was taped during an Autumn studio date at Van Gelder's place in Englewood Cliffs, NJ. The Kelly Trio, which included Jimmy Cobb and Paul Chambers — the rest of Miles Davis' former rhythm section — is joined by one of the world's most original jazz guitarist, the late Wes Montgomery, on a smooth set that goes down easy both because of the straight-ahead swing of the playing and Van Gelder's superb recording. The live side captures Montgomery's rich sound better than any other recording I've ever heard, and the studio side is only down a notch from that.
Michael Fremer  |  Nov 01, 2007  |  0 comments

Don Sebesky’s glib big band charts for “California Dreaming” and for a few other tunes on this 1966 Creed Taylor Production may exude almost comical “action television series” theme music swagger (I’m thinking “Mannix”), yet Wes Montgomery’s physical daring and sense of lyrical beauty quickly overcome any reservations you might have about being seen enjoying a blatantly commercial enterprise like this.

Michael Fremer  |  Feb 03, 2014  |  16 comments
Comments following the review of the mono reissues of the American version of Are You Experienced? and Axis: Bold As Love indicated some dissatisfaction with the reissue of the U.K. version of the album, also mastered by Bernie Grundman.

Michael Fremer  |  May 01, 2006  |  0 comments

Compilations are an ugly concept on vinyl. Either analog copy tapes have been strung together to create a cutting master or digital copies of masters are electronically assembled to produce the same cutting master. Once in a black and blue moon, original masters are removed from their reels and strung together to produce cutting masters made from original master tapes, but those are few and few between and almost impossible to make. They’re rare because few companies allow precious masters to be cut up and because unless the tunes were recorded in the same studio on the same impeccably maintained recorder, it’s very difficult if not impossible to cut a lacquer where the record/playback head’s azimuth changes from track to track.

Michael Fremer  |  Sep 20, 2012  |  1 comments
Imagine a hard bop jam session featuring three tenor sax greats: Johnny Griffin, Hank Mobley and John Coltrane. Add Lee Morgan on trumpet and propel them with the rhythm section of Wynton Kelly on piano, Paul Chambers on bas and Art Blakey on drums.
Michael Fremer  |  Oct 01, 2005  |  1 comments

Euphoria Jazz is a division of Bob Irwin's Sundazed. Sundazed licensed this and other Dawn Records jazz titles from Shout Factory, itself a division of Retropolis LCC. Shout Factory is a recent entity created by Richard Foos, an original founder of Rhino (along with Harold Bronson).

Michael Fremer  |  Sep 09, 2017  |  24 comments
21st Century Procol Harum neglect is one of our time's most serious musical scandals if you axe me. That it took until now to get a high quality reissue of this most excellent album, while other less stellar records are one their 3rd or 4th reissue is a leading indicator of the neglect and lack of appreciation for this super group.

Michael Fremer  |  Nov 26, 2017  |  8 comments
After the messy "supergroup" hype surrounding Blind Faith—more a one-off money maker than a group formed to last—Eric Clapton decided to downplay his fame and so was born in 1970 Derek and the Dominoes and the Layla... double LP that initially flopped. Many people today forget that, but flop it did. It didn't help that it was a costly double LP by an "unknown" group.

Michael Fremer  |  Jul 05, 2012  |  11 comments
It's a bit late in the day to write a review of the music on this album, which concerns itself mostly with how the music business chews up musicians with dreams and spits them out—not that Syd Barrett, the subject of "Shine On You Crazy Diamond" was done in by the business.

Michael Fremer  |  Mar 13, 2019  |  54 comments
AnalogPlanet editor Michael Fremer is not a classical music authority. If you didn't know that before watching this frantic, somewhat shallow video, you will after!

Michael Fremer  |  May 01, 2005  |  0 comments

Petra Haden, the very talented daughter of bassist Charlie Haden, and former member of That Dog has released an a cappella version of The Who Sells Out that is charming, entertaining, ingenious and loads of fun.

Brent Raynor  |  Sep 01, 2005  |  2 comments

It seems strange that someone who doesn’t even want to be part of this generation has become the voice of it. Jack White could care less about reality TV, George Bush, or the Boston Red Sox. Jack lives in a bygone era where Orson Welles and Rita Heyworth are the new stars, and Robert Johnson, Blind Willie McTell, and Dolly Parton represent the avant-garde.

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