Interviews

David Rawlings had a clear mission ahead of him. His dream was to release Gillian Welch’s acclaimed June 2011 alt-rural album The Harrow & The Harvest on reel-to-reel tape — but just how would he go about doing it? One word: DIY. During a recent phone interview with AP editor Mike Mettler, Rawlings discusses how The Harrow & The Harvest made its transition to tape, why making tape duplicates is a challenging process, why he also still loves cutting lacquers, and which Welch album might just make its reel-to-reel debut next. . .

Is it any wonder why something called Vinyl Obsession instantly became our favorite TV show? Airing on Sunday nights at 8:30 p.m. EST on AXS TV, this half-hour LP-centric show follows a pair of musicians and/or rock-adjacent celebs shopping for their five favorite albums at Grimey’s in Nashville. Naturally, we had to find out how Vinyl Obsession came to be, so AP editor Mike Mettler got on Zoom with executive producer and AXS TV VP of programming Katie Daryl to get all the LP-obsessive details. Read on to see what Daryl had to say about how the idea for Vinyl Obsession moved from brainstorm into reality, who her main dream guest would be for Season 2, and what her own personal top LP choices are. . .

The 1990s were a decade of transition. It was a time when recording artists had to figure out how to move on from MTV-era preening and get back to creating their music more for aural satisfaction, not just visual pleasure. Everclear, an alt-rock trio from Portland, Oregon, made quite a splash during the ’90s — see “Santa Monica,” “Everything to Everyone,” and “Father of Mine,” for starters — but as the calendar turned to the 2000s, bandleader and chief songwriter Art Alexakis had a vision to chronicle how his life was falling apart, in two parts. The first half of that heart-wrenching story, July 2000’s Songs From an American Movie Vol. One: Learning How to Smile, was a smash hit on CD, but it never made its way onto vinyl. Intervention Records righted that wrong back in September 2024 with their limited-edition 140g 1LP translucent yellow version of Vol. One, which is one of AP’s Best Reissues of 2024. During a recent Zoom interview with AP editor Mike Mettler, Alexakis discusses why SFAAM Vol. One sounds better on vinyl, why he always sequences his albums with vinyl in mind, and if a second LP of the overarching SFAAM storyline is in the offing.. . .

Certain albums serve as defining statements of a band’s career trajectory — and when it comes to the British melodic progressive rock band Wishbone Ash, 1972’s Argus is the shining example. To celebrate the golden anniversary of this milestone album, Wishbone Ash recently released the Argus 50th Anniversary Edition 1972-2022 multidisc box set via Madfish on April 14, 2023, with a special anniversary edition run of 5,000 copies that includes the remastered Argus on black vinyl and five tracks of Argus Live on yellow vinyl. In a recent phone interview with AP editor Mike Mettler, Wishbone Ash guitarist/vocalist Andy Powell discusses why the multiple movements in the lengthy album opener “Time Was” were absolutely critical for how the sound of Argus unfolded on vinyl, how the band pioneered the use of twin-guitar harmonics, and the specific sonic elements added to Argus they felt were lacking on previous albums. Read on to get Powell’s inside takes on why Argus continues to throw down the sword on vinyl. . .

BMG’s 2003 Jefferson Airplane Reissues

Q: Is this, in fact, the very first time the albums have been digitally re-mastered from the original multi-track masters?

A: No, but I’ll tell you what they are. There were some mixes that I used the multi-tracks for and I’ll get to that, but these are re-mastered from the original two-track masters. In all honesty, I’d love to put that feather in my cap, but those masters have been used before; although I can’t speak for the very first editions of CD’s that came out in the ‘80’s…