Interviews

JD Souther, a consummate American songwriter known for co-writing hits and choice deep cuts for (and with) the Eagles as well as for his poignant collaborations with James Taylor, Roy Orbison, and onetime life partner Linda Ronstadt, passed away at age 78 at his home in New Mexico on September 17, 2024. In an updated and expanded interview with AP editor Mike Mettler, Souther discussed his appreciation for good turntables and mastering for vinyl, how long it took “New Kid in Town” (one of the many hit Eagles songs he co-wrote) to finally come to full fruition, and what artists/producers must do to make “great” vinyl masters. . .

Rufus Wainwright has pretty much followed the beat of his own musical drum since Day 1. Over the course of his multi-decade career, his impeccably ingrained singer/songwriter chops have often fused alt-rock proclivities with the compositional scope of George Gershwin and Franz Schubert. And now, Wainwright has returned to his other true roots with a new 2LP set dubbed Folkocracy, which was released via BMG today, June 2. The four-sided, 60-minute song cycle runs the gamut of a modern-yet-vintage blend of traditional folk and more contemporary fare alike. In a recent Zoom interview with AP editor Mike Mettler, Wainwright discusses why Folkocracy belongs on 2LPs instead of one and confirms the only song on the album he knew he had to go back and redo the vocal for, emphasizes the importance of maximizing his family connections on the second LP, and reveals his “secret dream” for how he’ll be able to thwart A.I. artistically. . .

MF: For the most part, you chose the material; it was only a few people who…

Martin: Pretty well, pretty well. I mean the idea of Vanessa Mae doing "Because": The idea of a mini violin concerto came first, and I had to find someone to play it.

MF: But she put so much into that. Sometimes that kind of thing doesn’t work—when you try to “classical-ify” something. But that was very good.

So aside from the Beatles, who were the most memorable artists that you’ve produced? Any standouts?

Martin: Any other artists? Well, I’ve been so lucky to produce so many people. It’s difficult to name one. It’s like saying, what’s your favorite track? Obviously, Peter Sellers comes pretty high on that list. We worked very well together.

“I’ve been a harmony singer most of my life. I know what to do, and where to be.”

That’s Graham Nash, 80 years young, not only defining his artistic M.O. as a tenor vocalist, but also speaking to his inherent instincts for knowing what the right tones are for the music he’s making, and, frankly, where he stands on life and society in general.

British guitar iconoclast Steve Hackett, a key member of Genesis during their 1970s heyday, has since forged a formidable solo career after he left that progressive-leaning group 45 years ago. In Part I of this interview series, Hackett tells AnalogPlanet exclusively about the aural differences between his new 4LP/2CD release Genesis Revisited: Seconds Out & More and Genesis’ original October 1977 Seconds Out 2LP set, which guitar solo of his he considers to be the most well-known Genesis guitar moment, and the challenges Genesis faced in the 1970s when they pushed the boundaries of just how much music could fit on one side of an LP. Read on to find out why the vinyl path is clear. . .

M.F.:Here and there. Okay. Now what's happening with these Everest 35MM tape classical LP titles. Are they selling?

S.H.:Yeah. We would like to do some more. It's so expensive

M.F.:What 35 millimeter plyaback chain are you using to play those back?

S.H.:We're using a local collector in Los Angeles who has a pretty good sounding set up.

M.F.:It's a Westrex?

S.H.: It's been modified a little bit, but it's still very hard on the film.