Album Reviews

Producer and concert promoter Norman Granz signed Ella Fitzgerald to his Verve label back in 1956 and thus began a series of stellar studio albums, orchestrated songbooks and live set releases, many of which have been reissued on both CD and deluxe vinyl.

This “supergroup” trio side project featuring Foo Fighter Dave Grohl, Queens of the Stone Age Joshua Homme and Led Zep bassist/keyboardist John Paul Jones is sure to please lovers of classic rock and heavy metal, not to mention Led Zep fans of all ages. They’ve even got a logo.

Twenty five years later, it’s easy to forget that Graceland, the album many consider to be Paul Simon’s finest musical achievement, was mired in controversy because of the continuing disgraceland that was apartheid South Africa. Nelson Mandela was still jailed and protests erupted on college campuses and in the halls of government around the world.

While the Mississippi born, now New York based Wilson is labeled a "jazz singer," she's strayed far from her original comfort zone to cover everyone from The Monkees to Van Morrison to Robert Johnson—and more importantly done it effectively by re-imagining both the familiar arrangements and the listener's every musical expectation.

Gene Clark owed A&M an album in 1972 and so to fulfill his contract he did what most artists do in such circumstances: he decided to make one for himself.

Graham Parker kissed off his label with an album called Mercury Poisoning. Van Morrison owed one to Bert Berns' Bang label. Berns had died but Van, who had had a volatile relationship with Bert and was anxious to go to Warner Brothers and record Astral Weeks, handed his grieving widow Eileen an unreleasable album containing the ten songs and the publishing rights thereto. The songs—actually a series of short ridiculous and nonsensical jams— had titles like "Blow In Your Nose," "Nose in Your Blow," and "Ringworm."

Jazz Fusion may have turned out to be a dead end genre exiled to The Weather Channel's 24 hour forecast, but at its inception arguably with the group Weather Report, the sun shone brightly on its possibilities. How ironic that the jazz offshoot took off with Weather Report and dead-ended on TWC!

Talk Talk's Mark Hollis may have long ago retired from the music business, but his musical legacy prospers and grows. A near cult-like devotion hovers around the group's records as succeeding generations discover his dense, probing, faith-based cogitations. The intensity and strength of his spiritual commitment was matched only by the forcefulness of his later "spirited" rejection.