This loving tribute to Les Paul featuring longtime trio cohort Lou Pallo and others with whom Les played at Fat Tuesdays and the Iridium is musically fabulous assuming you like the timeless "old school" style. And if not, why not? If it's good enough for Keith Richards, Steve Miller, Billy F. Gibbons and Slash, among others who perform here in that style, well hell, then it's good enough for you!
No doubt Les's playing and his technological innovations with guitar and multi-tracked overdubbing affected all of them. But surely his playing hit them more squarely in their young guitarist wheelhouse.
A record label forensic specialist might be required to trace how The Allman Brothers Band ended up an Island/Def Jam property issued on Mercury Records, all now owned by Universal Music Group. The original was issued in 1969 on the ATCO division of Atlantic Records. Perhaps it had to do with the sale of the late Phil Walden's Capricorn imprint, through which the ATCO deal had been made.
The BBC did not preserve the master tapes of any of The Beatles BBC appearances. The tape was considered more valuable than the performances recorded therein. That's not exactly a secret. The audio used for the original edition of this set first issued in 1994 came from BBC Transcription Service vinyl, tape copies and radio broadcast tapes provided by fans.
If you want to quickly know if you’re going to like Giles Martin’s The Beatles remixes start with “Long, Long, Long”. If you don’t like that one, you’re probably not going to like the rest, but for me, that remix in particular is far superior to the one on the two original “Top Loader” U.K. pressings I have: more transparent and more spacious, with a holographic George front, center and three-dimensional as he’s not presented on the original.
Here's a video in which AnalogPlanet editor Michael Fremer "unboxes" the 4 LP and and Deluxe 6 CD+Blu-ray boxes containing Giles Martin's The Beatles remixes, the Esher Demos and in the case of the Deluxe set, a great deal more!
I've fed you another piece of misinformation fed to me by someone involved in this project but I can't remember whom: at first I was told RTI pressed these records. But that had to be walked back. Then I was told, no Rainbo pressed but RTI plated. Now I've been told by RTI's Don MacInnis that, no RTI didn't plate them either. Sorry about that.
By the time the "classic" Dave Brubeck Quartet arrived at Carnegie Hall on February 22nd, 1963 it had "practiced, practiced, practiced" as the old joke goes. The quartet of Brubeck, drummer Joe Morello, bassist Eugene Wright and alto saxophonist Paul Desmond was a well-oiled music making machine.
It was also the world's most popular and well-known jazz ensemble, having toured the world for the State Department and released numerous big selling albums such as Time Out, which sold well in excess of a million copies.
The bar graph, representing more than two hundred votes, indicates that "File A" was the clear favorite and that enthusiasm for the others waned based upon their positioning in the test, which in and of itself is fascinating.