Frank Zappa’s sprawling 1969 soundtrack from a movie (he correctly supposes in a speech balloon) “….you will probably never get to see”, has ripened beautifully with age.
My sources had told me "off the record" about a new pressing plant opening in New Jersey by Epitaph Records or principles of that company, but I was asked not to write anything so I didn't.
On Monday afternoon at Making Vinyl 2018 AnalogPlanet editor Michael Fremer moderated a vinyl mastering panel featuring some well-known lacquer cutting engineers: Scott Hull—Masterdisk, Clint Holley—Well Made Music, and Jeff Powell—Take Out Vinyl (MIA Mandy Parnell—Black Lagoon Studios, who was forced to remain in the UK so she could finish up a Bjork project). Welcome to 1979's Lori Hines "sat in".
Acoustic Sounds' Chad Kassem recently hosted in Salina, Kansas an event I labeled " Vinyl Y'Alta" that featured Stoughton Press's Jack Stoughton and RTI's Don MacInnis for a wide-ranging discussion about the state of the vinyl record industry in 2021. Kassem asked me to moderate from home and I gladly obliged.
Baritone saxophonist Gerry Mulligan's 1959 major label debut features his self-penned liner notes advocating putting the fun back in jazz and not worrying about hipness. Mulligan states that the album is all about fun and he's not kidding.
If you go into this ambitious acoustic Led Zeppelin covers project hard wired for Robert Plant and Jimmy Page you’re probably bound for disappointment but if you just relax into it, you might be pleasantly surprised by what you see in your mind’s eye. You’ll surely like what the production brings to your ears.