Michael Fremer

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Michael Fremer  |  Jun 01, 2008  |  0 comments

Speaking personally, I never much cared for this corny West Coast band, particularly this incarnation, featuring lead singer Tom Johnston’s high-pitched, quivering and bleating.

Michael Fremer  |  Sep 01, 2009  |  1 comments

For some reason, this album became a Top 10 hit in America, but the Brits knew better and stayed away. Recorded live at a Toronto rock festival during which Lennon had fallen ill, the album features the Plastic Ono Band of Lennon, Yoko Ono, Eric Clapton, Klaus Voorman (bass and cover artist for Revolver) and Yes drummer Alan White doing a blah set of covers the Beatles had done better (“Money,” “Blue Suede Shoes,” and Dizzy Miss Lizzy,” plus “Yer Blues”) along with two new Lennon tunes, “Cold Turkey” and “Give Peace a Chance,” the hit single that drove album sales.

Michael Fremer  |  Jul 01, 2011  |  0 comments

Street playing string bands played some of the best music I heard at this year's SXSW conference in Austin, Texas. The Carolina Chocolate Drops out of Durham, North Carolina are one of the few African-American string bands plying the trade today. The trio plays fiddle, banjo, guitar, harmonica, bones (yes, bones) and other traditional instruments on this 10"  four tune EP. The group had a Grammy Award® winning album for "best traditional folk album" with their 2010 CD release "Genuine Negro Jig" also on Nonesuch.

Michael Fremer  |  Feb 06, 2014  |  15 comments
I posted a comment under the story:

"3 arrested after theft of $5M Stradivarius violin"

Michael Fremer  |  Jul 23, 2020  |  First Published: Jul 23, 2020  |  14 comments
Rhino will release on September 4th two new early Fleetwood Mac box sets: an 8 CD set Fleetwood Mac 1969-1974 that includes 7 studio albums plus an unreleased 1974 concert, and two versions of an all analog 4 LP+ 7" single set cut from the original master tapes by Chris Bellman at Bernie Grundman Mastering.

Michael Fremer  |  Sep 01, 2009  |  0 comments

The proliferation of Blue Note reissues on double vinyl, SACD and most recently XRCD has led to the inevitable negative reaction with some people complaining that the label’s mythological status is overblown.

Michael Fremer  |  Jan 01, 2006  |  0 comments

Back in the late 1950’s, veteran alto sax player, bandleader and arranger Benny Carter, who died at 95 back in July of 2003, spent much of his time arranging for television shows, among them Lee Marvin’s Chicago-based cop show “M-Squad”. Why no label has reissued 1959’s The Music From M Squad (RCA Living Stereo LSP-2062) remains a mystery to me. It’s got great big band “crime” music, much of which was arranged by Carter and written by him, session conductor Stanley Wilson, Count Basie and “Johnny Williams” (thatJohn Williams). Recorded by the great Al Schmitt at RCA Victor Music Center of The World, LA, it also sounds pretty damn good!

Michael Fremer  |  Sep 30, 2007  |  0 comments
These are great times for analog, and I'm happy to have played a small part in the revival, but recently the demand for some products has outstripped supply; getting review samples has been next to impossible. I've requested an Audio Research PH7 phono preamplifier for literally years now, but ARC can't build them fast enough, so they don't need a review. The more they sell, the greater the buzz, and the greater the buzz, the more e-mails I get from readers asking for a review. It's not nice to not be needed.
Michael Fremer  |  Dec 11, 2016  |  First Published: Dec 11, 2016  |  9 comments
We started lobbying Allsop to bring back the Orbitrac almost as soon as its demise was announced. We got no response so started a campaign on musicangle.com to no avail.

Michael Fremer  |  Jun 01, 2004  |  0 comments

Calling himself Palace Music, or Palace Brothers, or Push, and of late Bonnie “Prince” Billy, the enigmatic Will Oldham, aided by a group of musical cohorts, has been making a spare brand of dry, mournful country/rock music for more than a decade. Before the term alta-country had been coined, it could be argued, the 34 year old Oldham had both invented and perfected the musical form on a series of genre-shattering albums issued on the Chicago based Drag City label beginning in 1993.

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