Nishikawasan explains the significant upgrades to his Air Force One turntable that resulted in a new "Premium" version costing approximately $40,000 more than the standard $100,000 Air Force One (shown with SAT tone arm).
TechDAS debuted the Air Force Zero turntable at a recent (March 16th) event in Japan that commences a "world tour" for the 771 pound turntable (not including power supply and air pump) that will make its American debut April 9th and 10th at The Audio Salon in Santa Monica California. It will next appear at Munich High End May 9-12th.
Over this past weekend September 29th and 30th The American Kennel Club hosted its annual "Meet the Breed" event at New York City's Jacob javits Convention Center. This post is definitely not "on subject"! Well it partly is.
This band of British rock and roll survivors led by David Gedge has been at it since 1985, releasing their debut LP George Best (named after a famous �60�s era soccer star) two years later on their own Reception Records label.
An Australian record store owner recently had an idea: why not mix vinyl and alcohol? Thanks to changes in the liquor laws in Sydney, MOJO Music's Neville Sergent opened MOJO Record Bar. (Photo by Peter Rae)
The great Mexican-American roots-rocker Alejandro Escovedo is back with yet another great, hard rocking yet deeply thoughtful album, his second with veteran producer Tony Visconti. Visconti goes all the way back to David Bowie's epic The Man Who Sold the World and if you hear echoes of that album on some tracks here, like the haunting background voices on "Sally Was a Cop", the album's most powerful song, it's not a coincidence.
R. Crumb’s cover illustration first drew me to this record, which recently arrived with others sent by Third Man Records. It opened to a triple gatefold that provided a fairly complete backgrounder on the folk violinist Alexis Zoumbas who was born in Ioannina, the capital of Epirus the Northern Greece region adjacent to Albania between the Pindus Mountains and the Ionian Sea. The notes by producer Christopher King suggest listening to the opening track “Epirotiko Mirologi” with undivided attention, which means stopping reading the extensive annotation.
The good news is that playing before an audience, Alison Krauss and her crack back-up band Union Station can replicate the Bluegrass/pop fireworks—instrumentally and vocally—that they set off in the studio. That’s the bad news too, as whatever interplay there was between the group and the audience has been excised, and the arrangements and performances shed little new light on the mostly familiar tunes. That’s just fine by the fans, judging by the raucous, appreciative audience reaction at this concert, recorded at the Louisville Palace, in Louisville Kentucky, April 29th and 30th, 2002 while the group toured in support of New Favorite (Rounder 11661-0485 hybrid multi-channel SACD/Diverse Vinyl DIV001LP 180g LP). The fans at home obviously approved as well, as the album quickly went Platinum. One track, the familiar “Down to the River to Pray,” was recorded live on the “Austin City Limits” television program.