Michael Fremer

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Michael Fremer  |  Oct 01, 2010  |  0 comments

This is a vinyl reissue of lo-fi home recording genius and underground hero Ariel Pink. These sometimes tuneful lo-fi experiments from a decade ago are interesting and probably very influential but there's no real reason to have them on double 180 gram vinyl given the lo-tech origins of the material.

Michael Fremer  |  Sep 01, 2011  |  0 comments

Well after this SACD review had been posted, the double 180g LP arrived. It takes the sound up a significant number of notches, producing greater imaging and staging three dimensionality. The hall reflection is more distinct, King's voice projects further forward and the sometimes rough vocal textures are enhanced in a way that makes it sound more "live.". The string section sounds richer and fuller when it's added and the "you are there" sensation is greatly enhanced overall. If you've not picked this up on SACD, I'd say it's worth spending the extra to get it on LP. A great sounding time capsule for sure!

Michael Fremer  |  Sep 01, 2011  |  1 comments

Alto sax bop legend Art Pepper (1925-1982) had accrued a lot of mileage but few OnePass points when he blew into London with his trio in June of 1980 to play a fortnight gig at the famous Ronnie Scott’s Club.

Michael Fremer  |  Mar 09, 2011  |  0 comments

Underrated and anonymously well-exposed, the Los Angeles session guitarist Howard Roberts played for everyone from Frank, to Elvis, the Beach Boys, the Jackson 5, the Monkees and Dean Martin, to name but a few. That's Howard out front on "The Twilight Zone" theme song, among many others. The guy got around.

Michael Fremer  |  Jul 01, 2011  |  0 comments

No one before sang quite like Stevie Wonder  does on this groundbreaking album, but everyone did afterwards. Wonder's tonality and phrasing on Talking Book were breakthroughs in soul/pop vocalizing.

Michael Fremer  |  Jul 01, 2011  |  0 comments

The Cuban born, classically trained jazz pianist Elio Villafranca plays in a lyrical, yet not quite florid style that moves from Latin style fiery and dramatic one moment to deeply introspective and abstract the next.

Michael Fremer  |  Jul 01, 2011  |  0 comments

As the liner notes for ISB's self titled debut (Elektra EKS-7322) tell it, in the mid '60s Robin Williamson was singing traditional Scottish ballads, MIke Heron was in an r&b group and Clive Palmer was playing ragtime banjo.

Michael Fremer  |  Sep 01, 2011  |  2 comments

While American soul music— northern urban and southern rural—and UK-via-the-Caribbean-derived Ska course through the veins of the fourth Elvis Costello and the Attractions album,  the flesh thankfully remains white limey. 

Michael Fremer  |  Jul 01, 2011  |  1 comments

Not one Hollies hit is among the twenty songs on this ten 45rpm 7" box set and that's the best part!

Michael Fremer  |  Jul 01, 2011  |  2 comments

Classical music recorded all-analog using purist microphone techniques are few these days. Here is one from Bob Attiyeh's Yarlung Records that is both sonically and musically exquisite.

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