Michael Fremer

This is not Sam Beam's (A/K/A Iron and Wine) latest album. It dates from 2007. His first release, The Creek Drank the Cradle, was released back in 2002. Somehow that one, this one, his newest and all of his work escaped my attention until last year's AXPONA audio show in Jacksonville Florida where I saw the collected works in the bins of a Florida audio store owner who had a room at the show. I asked to hear something and he played a cut from this introspective, atmospheric and sonically enticing and well-produced album. I was hooked.

Keb' Mo's mellow protest album recycles classics from the '60s and '70s, recasting them for the 2004 mindset witnessing the greatest strategic foreign policy mistake in American history. 

Clearly a fan, producer Steve Lipson places Jeff Beck's guitar in a distant reverberant  space that decreases its solidity but increases both its size and its mystery, evoking a God-like presence hovering above a lush, string-drenched orchestra. Or you could see Beck playing perched on a craggy, windswept rock surrounded by white-capped water. The album very much has a Pacific Ocean vibe.

This 1973 release, minus saxophonist Phil Shulman who had left the group (leaving but two Shulmans),  was rejected by Columbia Records for being "un-commercial" yet it became one of the band's most popular releases. It was available only as an import in America.