These are great times for analog, and I'm happy to have played a small part in the revival, but recently the demand for some products has outstripped supply; getting review samples has been next to impossible. I've requested an Audio Research PH7 phono preamplifier for literally years now, but ARC can't build them fast enough, so they don't need a review. The more they sell, the greater the buzz, and the greater the buzz, the more e-mails I get from readers asking for a review. It's not nice to not be needed.
I wonder if you can help me. I've ordered the updated versions of the Rhino Tom Waits titles from Music Direct - those cut by Chris Bellman from the original analogue reels.
Me and legendary recording engineer Roy Halee (not down by the schoolyard). Last week I did a series of in-store appearances in Colorado, first at the Audio Alternative in Fort Collins, where I saw a record collection larger than mine. I was jealous! Also attending that event were AudioQuest's Joe Harley who presented a fascinating history of Blue Note Records. Joe is also a partner with Ron Rambach in Music Matters, the Blue Note reissue label
Youngsters will find it hard to believe there was a time when legendary music existed for most only in whispers but that’s how it was in the late 1960s. We saw what they wanted us to see and heard what they wanted us to hear.
Germany-based Stein Music exhibited a Benz-Micro based boron cantilevered MC phono cartridge featuring a a brass mounting structure encased in a sandwiched body of Mahogany and carbon fiber
The folks who manufacture the Spin Clean record cleaning machine—the least expensive effective record cleaning device introduced a new Limited Edition "Executive Model"....
Nothing a clean mind and heart can't cure. Actually it's an album cover for a 1950s David Oistrach violin recital album on Parliament records (PLP 118) that includes Prokofiev's "Love For Three Oranges."