Over the past few years, jazz fans have been treated to some astonishing, heretofore unreleased treasures. Unlike in the rock world, where such finds, along with “bonus tracks” usually tell you why they weren’t released in the first place (with Bob Dylan being a notable exception), these jazz releases have felt like un-mined diamonds, only occasionally in the rough.
An Analogplanet.com reader emailed to ask if I'd like to spend a week with his Gale turntable. I knew the Gale loudspeaker from the 1970s but was unfamiliar with the turntable so I figured, "why not"?
Maybe you don't want to spend a few hundred dollars on a digital USB microscope because that's more than you spent on your phono cartridge in the first place?
We have a winner in the VPI Traveler turntable, Dynavector DV-20X cartridge plus LPs and accessories—all courtesy the folks at Music Direct—with a set-up courtesy Mikey.
Designer Jonathan Carr’s latest Lyra is a $1650 cartridge color schemed in champagne gold and red, I’m sure coincidentally, to match perfectly with darTZeel gear.
The Grateful Dead's "Touch of Grey" was a spirited 1987 marching order to an aging Baby Boomer generation to "get by" and its assuring affirmation that "we will survive" was a stroke of timing and musical genius. The song became an unlikely hit for a group that didn't have or need hits and helped propel the band to further heights of both popularity and creativity.
All of Fiona Apple's albums have been been personal and confessional (some might say "self absorbed") but this one is really personal and confessional and attractively self-absorbed too.
Why listen to "purist" British blues bands recreating what they've heard on record or in clubs, when you can hear the real thing? That's how I've always felt about it. This album by the British blues band Ten Years After is something else and perhaps in retrospect it's unfair to tag TYA as a "purist blues band."