Hi
I havent found a way to PM you, so please excuse this comment.
I run a small label called TABOU1 and would like to send you our productions.
can you email me your mailing address
thanks
The Gruvy Awards Turntables
| Turntables under $1000 | |
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U-Turn Orbit This $179 Kickstarter funded turntable is well-engineered, sounds good and most importantly will take excellent care of a new vinyl enthusiast's records. |
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Pro-Ject Debut Carbon This $399 turntable complete with Ortofon 2M Red sounds and performs well beyond its modest cost. It is good enough to demonstrate to any interested music lover why vinyl sounds more engaging. |
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| Turntables $1000-$5000 | |
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Rega RP8 A $4000 turntable that epitomizes Rega's low mass, lightweight design philosophy. High tech build and race-car fast sonics combine to produce one of the most exciting, precise sounding turntables you can buy. |
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Pro-Ject Extension10 A circa $3000 turntable that is all about high mass and effective damping. It features a heavy alloy platter riding on an inverted bearing, built-in electronic speed control and an ultra-rigid carbon fiber tonearm fitted with high quality bearings. |
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VPI Traveler An American made $1500 turntable that takes on the foreign competitors and in many ways beats them at their own game with built-in speed control, a motor used by others in far more expensive turntables spinning a massive aluminum platter. |
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| Turntables $5000+ | |
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Acoustic Signature Storm Mk2 This $8000 German turntable takes concentrated high mass and ultra-precision machining to new heights of sonic excellence. The Storm uses Acoustic Signature's "Tidorfolon" bearing system that comes with a ten year guaranty. This is a no-nonsense, high performance turntable that's of "heirloom" quality. |
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Origin Live Resolution Mk3 This pleasingly quirky U.K. turntable ($3300) plus Illustrious Mk3C arm ($2500) is best thought of as a package, that brings the total into the $5000+ category, though at $3300 the 'table alone would have merited a Gruvy in the less expensive category. The 'table and arm designs are unique and the sound produced has an open, airy and addictive quality that has attracted a wide and well-deserved fan base. |
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Brinkmann Bardo This German made $9450 direct drive turntable combines a low torque motor and high mass platter to produce smooth sonics that will convince even die-hard anti-direct drive turntable folks that great sound is possible when you couple motor and platter. Its compact size and no-fuss set-up make it ideal where space is an issue. The precision ground crystal glass platter mat once an option that takes it to greater sonic heights is now standard, but of course at a higher price than the previous $8000 for the "base model". |
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COMMENTS
address for album submission
Submitted by gbougard on Mon, 2015-02-02 10:43
Rega Exact2
Submitted by Daniel Emerson on Wed, 2014-04-30 02:50
This is the only Gruvy-winner I actually own (sounds great, too!), and I would be interested in Mikey's opinion of the 3-point Rega mounting. Is it "good enough" or does using the traditional 2 bolts and doing a really meticulous set-up make a big enough difference for it to be worth the effort?
I enjoy the 3-bolt mounted sound of this cartridge on my modified NAD 533 and the lack of need for neurotic checking and re-checking. This is especially the case for those of us who are nervous about fiddling with delicate things like cartridge setup. But every now and then, I do wonder...
3 Bolt Mount?
Submitted by Michael Fremer on Wed, 2014-04-30 13:15
Rega's 3 Bolt mount uses what I believe ends up being the Stephenson alignment. While it is commonly considered to be one that minimizes distortion at the inner groove area for classical music crescendos, in fact it is more complicated than that but I prefer Löfgren "A" generally. "B" produces lower distortion over the central portion of the record but produces higher distortion closer to the inner and outer groove area.
This article will give you more than you want to know about this subject!
http://tinyurl.com/3smhkjo
Please send email....
Submitted by Michael Fremer on Tue, 2015-02-03 09:41
to Fremer@analogplanet.com
Many thanks
Submitted by Daniel Emerson on Mon, 2014-05-05 02:52
Not being particularly dextrous with delicate things (took me ages to set the weight after installing the Origin Live counterweight/stub upgrade), I think I'll leave it as it is, as it does sound good.
I suppose was really looking for reassurance that Rega's solution is at least one version of the right setup.
Rega Exact
Submitted by coaster92 on Wed, 2014-08-13 07:15
D. Emerson, Rega and others (Technics) do use something close to Stevenson alignment. Rega (or Roy Gandy) says all the alignment theories are compromises and opted for the one which deals best with "IGD" (inner groove distortion). Aside from alignment, Rega considers the mechanical interface of the cartridge and arm to be of utmost importance- I've done both 2 and 3 fixing points on the Exact (with 2 bolts I used Baerwald alignment) and for me its 3 bolts hands down. The sonic difference of giving up the third bolt is greater than the change in alignment. There is a very precise quality with percussive instruments and more rhythmic grip and snap to the music with 3 bolts, and the vinyl plays slightly quieter too. The Exact pulls off the trick of having some drive and excitement, while at the same time being a nicely musical cartridge. Really anyone with a Rega table should at least try one. Its only shortfall is it might not be for "Soundstage" listeners. The stage is good but others like Ortofon and Goldring are better there. Read the Stereo Times review of the Exact. He covers the differences of bolts also.
And also...
Submitted by Daniel Emerson on Wed, 2014-08-13 09:29
It means peace of mind, too, which also adds to the listening enjoyment.
Nitty Gritty
Submitted by Paul Boudreau on Wed, 2014-04-30 14:46
Thanks much for the roundup. Minor quibble: The Nitty Gritty 2.0 is the oak-clad manual machine while the 2.5 is the semi-manual you described.
http://www.needledoctor.com/Nitty-Gritty-Model-1-5-Semi-Manual-Record-Cl...
in the market for an upgrade
Submitted by jazz and cocktails on Thu, 2014-05-01 07:09
thoughts on the combo of a Traveler w/ Otello?
Traveler Otello?
Submitted by Michael Fremer on Thu, 2014-05-01 07:49
The cartridge is available in both high and medium compliance. I think you'd want medium compliance but I'm sure Soundsmith will know which works best. It's a very good cartridge. The Ortofon 2M Bronze would be the competition at about $50 less but I've not done a comparison.
and stepping up...
Submitted by jazz and cocktails on Thu, 2014-05-01 08:01
to a Carmen vs 2m Black vs Dynavector 20, all on the traveler?
Ortofon vs. Grado
Submitted by TheThing72 on Thu, 2014-05-01 10:37
Any thoughts on the Ortofon Red 2m vs. the Grado Red? I have a Music Hall MMF 2.2 that I am looking to swap out the stock Tracker cartridge. I have been getting great results from it for about the past year with fairly heavy use. But, it is getting time to either replace the stylus or get something different. My local shop is recommending the Grado Red.. but I have not had much experience with either carts. In the past I have used Shure M97's and AT95E's.. and am looking for something a bit better. Will the Grado have issues with the MH motor?? Any advise would be a great help.
A general comment and a cartridge question
Submitted by Rudy on Thu, 2014-05-01 19:17
I think this is the first list I've read in a dozen or two years that includes equipment I actually own! Yes, it's been that long since I've seriously upgraded anything. And I tend to hang on, so what I got this year will likely be around for a decade or two.
Cartridges--2M Black vs. 20X2-H: how is the 20X2-H as a tracker? Would the Dynavector 17D3 be preferable in that respect? (I already realize it has more of a "romantic" sound to it, and I'm totally OK with that.) I want to change things up a bit and might go with an MC cart.
2M Black Versus Dynavector 20X2-H?
Submitted by Michael Fremer on Fri, 2014-05-02 09:58
I haven't directly compared but the 2M Black's Shibata stylus is probably a slighty better tracer than the microridge found in the Dynavector but really it is splitting hairs. Haven't heard a 17D3 in a while so can't really say. But if you really want to "shake things up" with a MC, I'd get the low output 20X2 and add a step-up transformer if need be...
Made the switch to the 17D3!
Submitted by Rudy on Wed, 2014-12-10 09:16
A late reply...
I ended up going to the 17D3, partly due to the microscopic cantilever having such a low moving mass. That did the trick, along with the MicroRidge stylus. (Anyone know if this is the same MicroRidge diamond stylus the V15VMR/V15VxMR used? Seems as though it should be a trademarked name.)
To say it tracks circles around the 2M Black is an understatement--my ancient Grado F3E+ tracked about the same as the 2M, and only cost me $55 circa 1980. The 17D3 is still maybe a small notch below the V15VMR (which I wore out my last stylus for) in trackability, but it goes right through vinyl passages that the 2M Black couldn't even cope with. (And if you recall my handful of emails, I had to do a lot of fussing with the 2M Black just to correct its alignment and sloppy build quality.) This was also the first cartridge to play back the Nat King Cole "Just One Of Those Things" LP (the S&P reissue) without Nat "lithping" throughout (and I've heard more than a few complaints about this particular LP). Also, the Dynavector seems to be meticulously built--it feels like you're handling a precision device. The 2M just feels like plastic imported junk in comparison (not to mention having a very dangerous stylus guard which broke the second time I used it).
I can now hear why MCs edge out most other cartridge types: the music just seems to "pop" out of the soundstage...maybe more holographic, I'm thinking? I notice a little more detail as well (not the treble end, but the way it picks little things out of the mix I hadn't heard before). It reminded me of last winter when I finally got the crappy Pioneer DV45A out of my system and put a new Oppo 105 in its place--I have these moments where I have to put down what I am doing since the music grabs my attention that much.
Jico stylus ?
Submitted by BogdanR on Sat, 2015-02-07 09:23
Have you tried one on your V15VMR before plunging over $1200 on the DV?
Just curious...
ifi iphono
Submitted by 2channelguy on Fri, 2014-05-02 07:40
Based on the Gruvy award I just ordered the ifi iPhono to go with my Traveler/Grado Sonata 1. Should be here next week.
iPhono
Submitted by Michael Fremer on Fri, 2014-05-02 10:01
Later today (Friday) I will post files of four MM phono preamps (3 also have MC capabilities that will be covered in the near future). You will be able to compare the four, priced from $99 to over $500. One is the iPhono but of course you will be listening "blind".
What's a good step up from Nova Phonomena?
Submitted by mschlack on Wed, 2014-07-16 12:40
I have the one with the big red blinking light in the middle. Having recently upped my digital game with the Auralic Vega, I now find my VPI Scout with Benz Wood SM a little behind my digital experience. Was wondering if you have any thoughts on what would be a reasonable step up. The rest of my chain is ARC LS 26/Simaudio Moon 5.3/B&W 70s. Also, are you going to review the new Phonomena?
Cartridge that's a good match for Rega arms
Submitted by Dr. Frankenheimer on Sat, 2014-11-01 17:49
Time for me to consider a new cartridge, but not a whole new rig. So the cartridge will have to ride along in an old(ish) Origin-Live modded Rega. Which means, no fine adjustments of SRA and no azimuth adjustments. What's a decent cartridge that isn't too fussy about that sort of thing?
Parasound Halo JC3+
Submitted by adidino on Wed, 2015-03-25 11:10
Curious why the JC3+ is not on the Gruvies list but is on the Stereophile A Recommended Components? Vice-versa for the Lehmann Black SEII. Not on Stereophile RC but made the Gruvies list.
What's up with that Mike? :)
When's the next edition of the Gruvy Awards?
Submitted by Dorian Workman on Fri, 2016-04-08 12:14
Or was this just a one-time thing?
Can I order this in Canada?
Submitted by Shirly Coomer on Fri, 2016-08-26 22:22
Can I order this in Canada?
open
Submitted by Alrich oliva on Tue, 2024-08-13 21:28
Analogue Productions RCA "Living Stereo" series Fiedler Gershwin
Submitted by kevemaher on Thu, 2016-12-08 17:22
The performance in the London ffrr LP of Gershwin is better in every way than the Fiedler performance that Analog Productions has remastered. I have the SACD from a previous remastering and the original issued LP but not the Analog Productions remaster. I cannot comment on the technical merits of the AP issue. However the other two I have are severely limited by the awful interpretations by Fiedler and the quirky piano playing of Earl Wild. My ffrr release from somewhere post 1972, but pre 1980, conducted by Lorin Maazel with Ivan Davis on the piano is dynamic and powerful with wonderful hall acoustics. It is impeccably performed, especially by Ivan Davis. The actual LP itself has a huge soundstage, warm mellow sound, wonderful bass dynamics and is extremely quiet. My copy, bought soon after original release, was mastered by Harry Fisher. Both sides are from the first master lacquer. Side one was from the second metal master, first stamper. The second side is from the fifth metal master, fifth stamper. I wish this performance could be remastered although I can't imagine a better vinyl could be created than the one I have.
Some performances recorded by RCA in their "Living Stereo" series are not of the highest quality. The technical merits of the new AP release may be many and wonderful, but, in the instance of the Fiedler Gershwin, cannot correct for an almost unlistenable performance. Anyone have a similar experience?
Gruvies update
Submitted by latinaudio on Thu, 2017-11-23 19:19
Hi Mickey.
It has been a long time since you made the Gruvy Awards.
Don´t you think it´s time to include/exclude some products and give them a new "class" treatment?
Planar 6
Submitted by Bob257 on Mon, 2019-01-21 07:47
I'm considering upgrading from my current Technics SL-D20 with Audio-Technica SL450 P mount cartridge to the P6 with the Exact cartridge. I'm hoping to hear an improvement. I can upgrade later to a MC preamp and a Ania cartridge if I desire. I'm using a Yamaha a-s801 integrated amp with its preamp. My main speakers are a set of EPI 320 T/E with new drivers, and the secondary speakers are Elac 6.2 and two sets of RCA bookshelf speakers and Polk PSW10 subwoofer. Do you have any other suggested TT?
Schiit Mani vs Yamaha's built in a-s801
Submitted by Bob257 on Mon, 2019-01-21 14:29
Do you think that using a preamp like the Schiitt Mani would have better sound than the preamp in my Yamaha a-s801 integrated amp?
All these just show me is that...
Submitted by Duke86fan on Sun, 2020-04-19 21:40
I really need to upgrade from my simple schiit mani, Uturn orbit with grado black setup, if i really want to get into real mindblowing musical experiences
Turntables
Submitted by brednjam1 on Wed, 2020-08-19 14:35
Hi Mr. Fremer,
I actually just e-mailed you asking for some recommendations. Are these still your favorite turntables? Is there a better one in the under $1000 range?
Cartridge recommendation
Submitted by brednjam1 on Wed, 2020-08-19 14:36
Hi Mr. Fremer,
Hi Mr. Fremer, I actually just e-mailed you asking for some recommendations. Are these still your favorite cartridges? Is there a better one in the under $500 range?
Updated recommendations
Submitted by brednjam1 on Wed, 2020-08-19 14:37
Hi Mr. Fremer,
Hi Mr. Fremer, I actually just e-mailed you asking for some recommendations. Are these still your favorite preamps? Is there a better one in the under $500 range?
Maybe It's Time For An Update
Submitted by Boomer on Wed, 2020-11-04 11:51
Mikey, thanks for all of your hard work getting all of these reviews to everyone. Just wondering if maybe it might be time to update your Gruvy Awards on the phono preamps. Are most of these units still being produced or have they been upgraded? I'm a new member and I love your website. Thanks in advance.
Have you seen this simple product?
Submitted by DrWatson on Mon, 2020-12-28 18:40
Keep your vinyl record safe and dust-free by elevating it during cleaning.
One of the problems of cleaning a record is that after you clean one side, you must reverse the record and set it down on a surface to clean the other side. Meanwhile, that annoying stray speck of dirt or dust on your record jacket or towel will get stuck to your record. A good solution is to use The LAST Stand. This device elevates your record so that nothing will touch the grooves after you've cleaned them. This video shows the easy cleaning process.
The Gruvy Award Tonearms
Submitted by Analogue+Fan on Sat, 2021-07-17 21:31
Hi,
Have you ever thought about incorporating the Gruvy Award Tonearms category.?
Thank you,
record cleaning liquids
Submitted by Donn Rutkoff on Sat, 2022-01-01 10:02
So, after not being on-line for a few years; am I really, or just theoretically, harming my vinyl by cleaning with 20% of 91 pure isopropyl and 80% distilled water?
The Tonearms Gruvy Award - 2022 .?
Submitted by Analogue+Fan on Tue, 2022-02-22 21:15
Hello team Ana\ogPlanet.
Have you ever thought about incorporating the Tonearms category for the Gruvy Award .?
Thanks in advance.
Replacing a Micro Benz Glider SL
Submitted by mschlack on Sat, 2024-03-30 11:10
I'm starting to detect needle wear in my Micro Benz Glider SL. I've enjoyed this cartridge and the MB Wood I had before it, but it seems like MB is not really a player in the US anymore. What cartridges in the $800-$1500 range of MC lower output cartridges would have a similar sound? This is on a VPI Scout into Musical Surroundings Nova II/ARC LS26/Simaudio Moon W5.3/B&W 703 system. I would say my taste runs to neutral on the warmth spectrum, decent detail and excellent soundstage. I listen to mostly small group jazz and like a good bass response, life-like instruments and human-sounding vocals.
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