Omnivore's Record Store Day Vinyl Collectibles Include Big Star Documentary Soundtrack Album

LOS ANGELES, Calif. — Omnivore Recordings will release limited-pressing vinyl collectibles that are musts: The soundtrack to the long-awaited feature-length Big Star film documentary "Big Star: Nothing Can Hurt Me" will be available in a special, limited edition (4,000 worldwide) 180-gram, two-LP translucent yellow vinyl pressing ahead of its standard release configurations; a collaboration between the Old 97’s and Waylon Jennings will be released as disc one of a double 7" 45 rpm gatefold single on yellow vinyl (the second disc features two Old 97’s demos) in a limited edition of 1,500 world wide; and the North Carolina band Three Hits will issue Pressure Dome, a 12" five-track EP of released and previously unreleased material (1,000 world wide). Their original 45 release by the same name came out originally on the Hib-Tone label (home of R.E.M.’s debut single), and the band bears other connections to the early era of American indie-rock.

Big Star: Nothing Can Hurt Me (Original Soundtrack): After years in the making, the band’s story will finally hit the big screen in the feature-length documentary Big Star: Nothing Can Hurt Me (Magnolia Pictures), coming to theaters this summer. An official selection of the SXSW Film Festival (2012), winner of the Best Documentary at Indie Memphis (2012), and a hit at the BFI London Film Fest and DOC NYC, the film chronicles Big Star’s initial commercial failure and subsequent critical acclaim, further solidifying the enduring legacy of one of pop music’s greatest cult bands. Big Star: Nothing Can Hurt Me traces their origins and history — from 16-year-old Alex Chilton skyrocketing to stardom in the late ’60s with the Box Tops and their #1 hit “The Letter,” to the serendipitous meeting of Chilton and local Memphis singer-songwriter-guitarist Chris Bell, through the tumultuous recording of the landmark albums #1 Record, Radio City and Third, culminating with the group’s implosion due to failed record sales, personal breakdowns, and the death of Chris Bell in 1978.

Let's hope the records will be in stereo (dig, dig, dig).

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