AXPONA 2018 days 2 and 3 were spent mostly touring the upper hotel floors, with day 3 ending at the Convention Center on the other side of the Schaumburg Renaissance Hotel. More new analog gear debuted at this show than had been expected considering that Munich High End is but a few weeks away.
"Life in 12 Bars" the Showtime documentary directed by Lili Fini Zanuck available now streaming and on demand gets a 2 CD, 4LP original soundtrack album that includes a total of 32 tracks by The Yardbirds, John Mayall's Bluesbreakers, Cream, Blind Faith, Derek and the Dominoes, The Beatles, Aretha Franklin, Muddy Waters and Clapton's solo work.
Show time! Thursday April 12th began poorly with the AnalogPlanet inbox filled with "in case you missed it, there's this big news about HD Vinyl" that this website covered a year ago and it continued poorly when, as I was getting my badge, I spied the sign in the image that leads this story. See what's missing?
AXPONA show organizers moved the event this year to a new venue: the Renaissance Schaumburg Hotel & Convention Center, a large, modern hotel located within a half-hour of O'Hare International Airport designed and built with conventions and shows in mind. This is by far the largest, best-supported AXPONA show in the event's history.
The longevity of Denon's 103 cartridge series, first introduced in the 1960's and still in production speaks to the design's enduring popularity. The design's weak point is its flimsy mounting system. As my colleague Art Dudley put it in the December 2007 issue of Stereophile: "The most common complaint about the DL-103 is also the truest: Its good motor is compromised by a too-flimsy mounting arrangement, with open-edge bolt channels that prevent the cartridge from being rigidly fastened to a head shell."
About a dozen years ago at a used record store in San Francisco I bought a “mint” original German pressing of The Beatles (“The White Album”). It was up on the store wall at $75.00. The laminated “top loader” jacket was mint, all of the head shots the poster and the black sleeves were inside looking as if none of it had been touched and the records appeared as minty as advertised.
AnalogPlanet.com editor Michael Fremer describes the features of, and shows you how to use Pro-Ject's recently updated VC-S wet vacuum record cleaning machine. The usual occasional hilarity ensues. Though in the video it appears that more than 2 revolutions are required to dry a record, 2 will do it for most records.
It's a circular mound of semi-gelatinous goop in a box, onto which you gently lower your stylus. After a few seconds, you lift the stylus, and it's as clean and residue-free as the proverbial whistleor baby's butt. In fact, a baby's soft skin is what manufacturer Onzow likens Zero Dust to. The dirt left on the transparent mound is testimony to the effectiveness of the process.