Music composed for films is by definition precisely timed and intended to mirror or at least complement the on screen action. Of course that’s not always how its accomplished, especially when the hired musicians are not trained film composers.
Ortofon's Chief Officer of Acoustics and Technology Leif Johannsen and Dee Hustinova, Ortofon U.S. General Manager stopped over today to show me a brand new Ortofon cartridge the design of which Leif has just completed. I can't talk about it or show it (that's why it's in his cupped hand).
When Stereophile deadlines loom, AnalogPlanet content suffers. Nothing can be done. But the radio show must go on so this week's show is all Island Records and all from the storied label's early years.
Today's show is all-Motown sourced almost exclusively from original stereo pressings. Well, there's one curve-ball: The Clash's "Hitsville U.K.", which is sort of a Motown tribute song. And the Marvin Gaye Anthol
Over the past decade or so vinyl-loving jazz enthusiasts have been treated to a series of previously unreleased but significant recordings discovered under beds, in closets and in the vaults of European radio stations. Some were never before heard. Others were bootlegged from radio broadcasts
AudioQuest's carbon fiber brush, in production for thirty five years, has been the industry "standard" dry record brush. If you have the one pictured above, please throw it out or donate it to a really needy record collector.
The other day, after comparing two power conditioners that produced very different sonic results in my system, and writing a Stereophile review, I decided to conduct an experiment.
Since the sound was so different, could it be recorded? And might people visiting analogPlanet’s YouTube channel hear the differences?