Steely Dan and UMe have thrown fans of the band’s music some interesting choices when it comes to their current vinyl reissue series. We all know about the pricier, concurrent AAA UHQR editions from Analogue Productions that all have an admittedly steeper entry fee, but the hard reality is many of us can only afford the standard 180g 1LP editions being released under the Geffen/UMe label banner. What’s a budget-minded, audiophile-leaning Steely Dan fan to do? Read Mark Smotroff’s review of the new Geffen/UMe version of Pretzel Logic to see if it’s the right edition for you. . .
Pretzel Logic, the third entry in Analogue Productions' comprehensive all-analog 200g 45rpm 2LP Steely Dan UHQR reissue series, is indeed a bit of a different sonic animal than its predecessors, Can’t Buy a Thrill and Countdown to Ecstasy. That’s due in no small part to SD co-founders Walter Becker and Donald Fagen wanting the album to have more of a first-call studio musician feel to it overall. Read AP editor Mike Mettler’s in-depth review to find out if the Pretzel Logic UHQR is the kind of record you want on your phonograph. . .
Our dime dancing is officially through, as we just got the news that the eagerly awaited LP reissue of Steely Dan’s indisputable September 1977 masterpiece Aja has now been given an official release date of September 29. The 180 1LP edition comes via Geffen/UMe, while the 30,000 numbered-copy limited-edition 200g 45rpm version on Ultra High-Quality Vinyl (UHQR) comes courtesy Analogue Productions. Read on to glean more about the source material for the new vinyl versions of Aja, as well as what the respective SRPs will be. . .
We here at AP felt it was high time for a state-of-the-art update on Audio-Technica’s ART series of moving coil (MC) cartridges, so we’re going to take a closer look at the four models currently being offered under the company’s ART umbrella. Read on to see what all the features and SRPs are for the A-T ART cart series quartet accordingly. . .
We got that jazz-jones thing already going again, so we’re back with another jazz-centric triple-play review. Read Mark Smotroff’s Short Cuts combo take on a trio of jazz classics — both old and newly discovered alike — from Stan Getz & Charlie Byrd, Wynton Kelly Trio & Wes Montgomery, and Sun Ra. . .
Collecting original pressings of rare albums can be exciting, frustrating, and even debilitating at times. The good news is, there are a lot of really excellent reissues coming out these days that seem only to be getting better and better. Read Mark Smotroff’s triple Short Cuts review of new 180g 1LP reissues of classic titles from Alice Coltrane, Dorothy Ashby, and Gabor Szabo to see if any of them just might whet your eclectic jazz-listening whistle. . .
Has it really been 45 years since Rhino Records put out their very first release in 1978? (Bonus points to those of you who remember “Rocky,” the original Elvis-ified Rhino company logo from back in the day.) In celebration of Rhino’s 45th anniversary this year, the vaunted archival label is launching what they’re calling Rhino Reds, a new series of limited-edition reissues pressed on custom “Rhino Red” vinyl. Read on to see which 12 LPs from Rhino’s deep catalog will be getting the Red carpet treatment over the next few months. . .
The Gold Note PH-5 phono preamp comes ready to do the job at hand with nine impedance inputs, four gain options, and a choice of using either an MM or MC cartridge with it — plus, the PH-5 offers three separate EQ curves, something we’ve yet to see at this price point. Read Ken Micallef’s review to find out if the PH-5 was indeed able to deliver clean, smooth, and well-balanced sound and a deep soundstage. . .
Two late-period R.E.M. albums — October 2004’s and March 2011’s Collapse Into Now — have just gotten well-deserved 180g LP upgrades from Craft Recordings. Read Mark Smotroff’s combo review of these two somewhat underappreciated but wholly worthy entries in the Athens, Georgia alt-rockers deep catalog to see if they fit into your own upcoming LP listening plans. . .
Just how good is Peter Frampton’s excellent new Frampton@50: In the Studio 1972-1975 180g 3LP box set from Intervention Records? The following three numbers tell the tale in shorthand: 100, 50, and 75. Find out what they mean and why this all-analog vinyl collection of three key entries from Frampton’s early solo career sets new standards for box set presentation by reading AP editor Mike Mettler’s in-depth review. . .