LATEST ADDITIONS

Just ahead of an official upcoming trade show unveiling, Klaudio has duly seen fit to let us know they plan on displaying their new Magnezar turntable at the Pacific Audio Fest in Seattle, which is being held June 23-25. Read on to learn more about the Magnezar and its many specs and features accordingly. . .

Our latest Review Explosion Short Cuts extravaganza focuses on three prime, and quite diverse, Record Store Day 2023 releases — namely, an LP’s worth of Wrecking Crew drummer Hal Blaine’s late-’60s psychedelic explorations, a live 2LP release from the ever-brilliant funky-quirky Captain Beefheart and The Magic Band, and a solo 1LP Prefab Sprout production from Paddy McAloon, the main driver of one of England’s greatly underrated pop outfits. Read on to get Mark Smotroff’s take on a trio of fine RSD 2023 releases you are going to want to track down for your own listening enjoyment, forthwith. . .

A few weeks ago, we reported that Metaxas & Sins’ flagship Papillon reel-to-reel tape player was finally seeing proper North American availability, thanks to a new deal with Reel Sound Distribution. Relatively speaking, we would most certainly be quite remiss if we didn’t amend that story with a closer look at two other top-tier Metaxas & Sins products that are also now seeing North American distribution debuts — namely, the Perambulator turntable and the Combobulator tonearm — and thus, that time is now. Read on to learn more about how mind-blowing both the Perambulator and Combobulator truly are. . .

After a decade-long battle with cancer, pioneering pianist/instrumentalist extraordinaire George Winston sadly passed at age 73 on June 4, 2023. For his part, Winston begat an instrumental artform initially known as “folk piano,” best exemplified by seasonally flavored LPs like 1980’s Autumn, 1982’s December, and 1982’s Winter Into Spring. In a previously unpublished interview with AP editor Mike Mettler, Winston discusses how he first came up with that folk piano playing style, how The Doors became one of his major influences in addition to his favorite New Orleans jazz players, and the key differences between what his left and right hands were charged with doing on the piano. . .